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Episode 164 - As words label space

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Manage episode 303235834 series 2355665
Content provided by PoemTalk and Kelly Writers House. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by PoemTalk and Kelly Writers House or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode discusses a three-page section of Leslie Scalapino’s “‘Can’t’ is ‘Night’” — the passage having been chosen by the poet for It’s Go in Horizontal: Selected Poems, 1974-2006. Close listening and close reading: surely some manner of these, both, are required by every Leslie Scalapino work. The PoemTalk group sought to respect this in the very way in which they moved through the poem’s nonsequential parts and themes and offering of language problems. The poem is utterly political and supremely theoretical at once. No orderly proceeding through the poem beginning to end, nor any confident sense of the poem’s tone (about its borrowing of words and phrases), would disclose those remarkable qualiies. So, called upon by the poem’s “dis-placing” of its own parts, the group ventures toward its front lines, and then back again behind them. What “can’t” this poet do?
  continue reading

147 episodes

Artwork
iconShare
 
Manage episode 303235834 series 2355665
Content provided by PoemTalk and Kelly Writers House. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by PoemTalk and Kelly Writers House or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode discusses a three-page section of Leslie Scalapino’s “‘Can’t’ is ‘Night’” — the passage having been chosen by the poet for It’s Go in Horizontal: Selected Poems, 1974-2006. Close listening and close reading: surely some manner of these, both, are required by every Leslie Scalapino work. The PoemTalk group sought to respect this in the very way in which they moved through the poem’s nonsequential parts and themes and offering of language problems. The poem is utterly political and supremely theoretical at once. No orderly proceeding through the poem beginning to end, nor any confident sense of the poem’s tone (about its borrowing of words and phrases), would disclose those remarkable qualiies. So, called upon by the poem’s “dis-placing” of its own parts, the group ventures toward its front lines, and then back again behind them. What “can’t” this poet do?
  continue reading

147 episodes

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