In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Dolly Parton in 9 to 5 - Episode 122
Manage episode 423271444 series 1809286
Content provided by The Geek Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Geek Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What do you get if you combine the most divisive woman in 1970s America, the least divisive woman in modern America, and a comedy legend? You get an absolute treat, at least if it goes as well as 9 to 5 did. Colin Higgins's film brings together Jane Fonda, Dolly Parton and Lily Tomlin in a class-conscious romp about three women who kidnap their sexist pig of a boss and find the office runs a lot better without him. It's basically The Communist Manifesto with a thumping C&W theme song.
This week, Graham treats himself after self-harming with The Idol by getting back together with Jeff to talk about this lasting classic of early '80s Hollywood. Prepare for an in-depth comparison of the many beards of Sterling Hayden, an appreciation of Jane Fonda's shrewdly against-type performance, and our pitch for a Dolly Parton horror movie.
Patreon - what a way to make a living! Subscribe today and you can hear Graham and Aidan talking about Fred Durst's The Fanatic in an exclusive Pop Screen episode, plus our end-of-month round-up podcast Last Night..., written reviews of The X-Files and Red Dwarf, classic far eastern genre cinema reconsidered in Fantastic Asia, and more. Follow us on Instagram, Facebook and Twitter for more.
--- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message151 episodes
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Manage episode 423271444 series 1809286
Content provided by The Geek Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Geek Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What do you get if you combine the most divisive woman in 1970s America, the least divisive woman in modern America, and a comedy legend? You get an absolute treat, at least if it goes as well as 9 to 5 did. Colin Higgins's film brings together Jane Fonda, Dolly Parton and Lily Tomlin in a class-conscious romp about three women who kidnap their sexist pig of a boss and find the office runs a lot better without him. It's basically The Communist Manifesto with a thumping C&W theme song.
This week, Graham treats himself after self-harming with The Idol by getting back together with Jeff to talk about this lasting classic of early '80s Hollywood. Prepare for an in-depth comparison of the many beards of Sterling Hayden, an appreciation of Jane Fonda's shrewdly against-type performance, and our pitch for a Dolly Parton horror movie.
Patreon - what a way to make a living! Subscribe today and you can hear Graham and Aidan talking about Fred Durst's The Fanatic in an exclusive Pop Screen episode, plus our end-of-month round-up podcast Last Night..., written reviews of The X-Files and Red Dwarf, classic far eastern genre cinema reconsidered in Fantastic Asia, and more. Follow us on Instagram, Facebook and Twitter for more.
--- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message151 episodes
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Similar to Pop Screen
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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