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Content provided by Print Run, Erik Hane, and Laura Zats. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Print Run, Erik Hane, and Laura Zats or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Episode 20 — The Wonderful Impediment

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Manage episode 173914322 series 1267927
Content provided by Print Run, Erik Hane, and Laura Zats. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Print Run, Erik Hane, and Laura Zats or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On the occasion of Erik finishing a manuscript he's been dragging his feet on for five years, we talk about the strange and naive myths we believed about publishing before entering the industry, and the ways expectations have not matched up with reality. What's unexpectedly good about working in publishing, and what unexpectedly sucks? Also, we talk about the novels we wrote as children, including Laura's quest narrative in a fancy notebook, and the fact that Erik didn't understand typesetting as a child and thought every finished book was handwritten. He's ... well folks, he's not very bright.
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176 episodes

Artwork
iconShare
 
Manage episode 173914322 series 1267927
Content provided by Print Run, Erik Hane, and Laura Zats. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Print Run, Erik Hane, and Laura Zats or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On the occasion of Erik finishing a manuscript he's been dragging his feet on for five years, we talk about the strange and naive myths we believed about publishing before entering the industry, and the ways expectations have not matched up with reality. What's unexpectedly good about working in publishing, and what unexpectedly sucks? Also, we talk about the novels we wrote as children, including Laura's quest narrative in a fancy notebook, and the fact that Erik didn't understand typesetting as a child and thought every finished book was handwritten. He's ... well folks, he's not very bright.
  continue reading

176 episodes

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