In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Oppenheimer (Nolan 5)
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Manage episode 405898327 series 3419300
Content provided by Thomas Millary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Thomas Millary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
A return to our series on Christopher Nolan, discussing how Oppenheimer makes explicit the globalist politics implied by the sci-fi transhumanism of some of his previous films. We analyze how the movie treats standard Nolan themes, such as the master manipulator and the death of the soul (often symbolized by the death of women). Oppenheimer's depiction of the Promethean salesman of science gives us further confirmation of Nolan's significance as a cultural engineer.
https://twitter.com/CinemaPsyop
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http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
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https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
102 episodes
MP3•Episode home
Manage episode 405898327 series 3419300
Content provided by Thomas Millary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Thomas Millary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
A return to our series on Christopher Nolan, discussing how Oppenheimer makes explicit the globalist politics implied by the sci-fi transhumanism of some of his previous films. We analyze how the movie treats standard Nolan themes, such as the master manipulator and the death of the soul (often symbolized by the death of women). Oppenheimer's depiction of the Promethean salesman of science gives us further confirmation of Nolan's significance as a cultural engineer.
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
…
continue reading
https://twitter.com/CinemaPsyop
https://www.patreon.com/PsyopCinema
http://psyop-cinema.com/
https://linktr.ee/psyopcinema
thomas-psyopcinema@protonmail.com
brett-psyopcinema@protonmail.com
102 episodes
All episodes
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