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LÉON: THE PROFESSIONAL (1994) – TOP 100 GREATEST MOVIES NO. 85 – REEL CHAT 80.0
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Manage episode 212515830 series 60901
Welcome to Episode 80 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.
Director Luc Besson’s taste for wacky plots, extravagant action and grandiose romance reached its climax with 1994’s “Léon: The Professional” – a deeply strange and much-loved crime movie about a 12-year-old girl, Mathilda, (Natalie Portman), who is rescued by a hit man after her family is massacred by a crazed NYPD detective, played with paint-scrapping vigour by Gary Oldman. Jean Reno is Léon, a hired killer with ‘a heart of gold’; innocent and childlike, he dotes on his house plant, drinks milk and loves Gene Kelly movies. Mathilda, of course, falls in love with him. In the extended version there are quite a few scenes included that US preview audiences rejected; like Mathilda getting drunk in a restaurant and another where she suggests she become Leon’s ‘lover’. According to producer Patrice Ledoux, this kind of content… no, this kind of relationship, was in no way mysterious to the French filmmakers of “Léon: The Professional”. Still, the relationship in the film stays ‘innocent’. No matter what uncomfortable undercurrents the film gives rise to, Besson’s skill with action is inventive and creative (and of course over the top).
Joining your host Adam Stolfo is Reel Chat regulars Andrew McCaskill, Penny Jelly and Jesse O’Brien. Join the team as they discuss the film’s controversy, it’s legacy, it’s amazing cast, the work of director Luc Besson, it’s two different cuts, eclectic composer Eric Serra’s score, and much, much more!
So does “Léon: The Professional” deserve it’s spot in the Top 100? And is position number 85 where it belongs?
THE TEAM’S REVIEW SCORES
Adam 4 out of 5 – RECOMMEND
Andrew 4 out of 5 – RECOMMEND
Penny 3 1/2 out of 5 – RECOMMEND
Jesse 3 1/2 out of 5 – RECOMMEND
109 episodes
Archived series ("Inactive feed" status)
When? This feed was archived on February 25, 2022 04:31 (). Last successful fetch was on December 11, 2020 13:07 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 212515830 series 60901
Welcome to Episode 80 of the “Reel Chat Podcast.” This week we continue our countdown of Empire Magazine’s Top 100 Greatest Movies of all time.
Director Luc Besson’s taste for wacky plots, extravagant action and grandiose romance reached its climax with 1994’s “Léon: The Professional” – a deeply strange and much-loved crime movie about a 12-year-old girl, Mathilda, (Natalie Portman), who is rescued by a hit man after her family is massacred by a crazed NYPD detective, played with paint-scrapping vigour by Gary Oldman. Jean Reno is Léon, a hired killer with ‘a heart of gold’; innocent and childlike, he dotes on his house plant, drinks milk and loves Gene Kelly movies. Mathilda, of course, falls in love with him. In the extended version there are quite a few scenes included that US preview audiences rejected; like Mathilda getting drunk in a restaurant and another where she suggests she become Leon’s ‘lover’. According to producer Patrice Ledoux, this kind of content… no, this kind of relationship, was in no way mysterious to the French filmmakers of “Léon: The Professional”. Still, the relationship in the film stays ‘innocent’. No matter what uncomfortable undercurrents the film gives rise to, Besson’s skill with action is inventive and creative (and of course over the top).
Joining your host Adam Stolfo is Reel Chat regulars Andrew McCaskill, Penny Jelly and Jesse O’Brien. Join the team as they discuss the film’s controversy, it’s legacy, it’s amazing cast, the work of director Luc Besson, it’s two different cuts, eclectic composer Eric Serra’s score, and much, much more!
So does “Léon: The Professional” deserve it’s spot in the Top 100? And is position number 85 where it belongs?
THE TEAM’S REVIEW SCORES
Adam 4 out of 5 – RECOMMEND
Andrew 4 out of 5 – RECOMMEND
Penny 3 1/2 out of 5 – RECOMMEND
Jesse 3 1/2 out of 5 – RECOMMEND
109 episodes
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