In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Cobra with Matthew Carter - Reels and Wheels
Manage episode 211593027 series 1098750
Content provided by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Cobra (1986) is an 80's cop movie that you can absolutely love (in theory) if you get past how reprehensible it is. Sylvester Stallone is a cop who plays by his own rules. His peers don't like the fact that he kills everyone he should be arresting, but they let it go because he "gets the job done."
Joining us to talk Cobra and its iconic 1950 Mercury is podcaster and comic Matthew Carter. Matt actually watched this movie when he was 8, which is a little disturbing, but we can cut him some slack because the cars in this movie are so much fun!
There are so many cool 80's cars in the background, everyone has a personal experience to share just by watching the periphery of Cobra. And yeah, Cobra is disturbing. As good guys go, Stallone is a little murder-happy.
Remember to subscribe to @ReelsandWheels on Stitcher, iTunes or Google Play and leave feedback! Go a movie or guest to suggest? Let us know on Facebook (https://www.facebook.com/ReelsandWheels/?ref=br_rs)! Also follow @SidBridgeComedy, @S2KJames and find Matt @MattCFunny
100 episodes
Share
Manage episode 211593027 series 1098750
Content provided by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Cobra (1986) is an 80's cop movie that you can absolutely love (in theory) if you get past how reprehensible it is. Sylvester Stallone is a cop who plays by his own rules. His peers don't like the fact that he kills everyone he should be arresting, but they let it go because he "gets the job done."
Joining us to talk Cobra and its iconic 1950 Mercury is podcaster and comic Matthew Carter. Matt actually watched this movie when he was 8, which is a little disturbing, but we can cut him some slack because the cars in this movie are so much fun!
There are so many cool 80's cars in the background, everyone has a personal experience to share just by watching the periphery of Cobra. And yeah, Cobra is disturbing. As good guys go, Stallone is a little murder-happy.
Remember to subscribe to @ReelsandWheels on Stitcher, iTunes or Google Play and leave feedback! Go a movie or guest to suggest? Let us know on Facebook (https://www.facebook.com/ReelsandWheels/?ref=br_rs)! Also follow @SidBridgeComedy, @S2KJames and find Matt @MattCFunny
100 episodes
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Similar to Reels & Wheels
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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