In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Rover
Manage episode 257987645 series 1098750
Content provided by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
David Michod's The Rover is a bleak, Australian post-apocalypse story. Sound familiar? It's definitely not Mad Max.
Michod's anarchic landscape lacks hope... or even a real hero. The movie is a slog, depressing and gritty from start to finish. It's kind of character piece you would expect from a film that was chosen to be screened at Cannes.
James liked it. Sid hated it. Both agree: While relevant, it's a depressing watch during the COVID-19 pandemic. Save it for later and listen to Reels and Wheels instead.
100 episodes
Share
Manage episode 257987645 series 1098750
Content provided by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sid Bridge, James Rodatus, Sid@thesidagency.com (Sid Bridge, and James Rodatus) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
David Michod's The Rover is a bleak, Australian post-apocalypse story. Sound familiar? It's definitely not Mad Max.
Michod's anarchic landscape lacks hope... or even a real hero. The movie is a slog, depressing and gritty from start to finish. It's kind of character piece you would expect from a film that was chosen to be screened at Cannes.
James liked it. Sid hated it. Both agree: While relevant, it's a depressing watch during the COVID-19 pandemic. Save it for later and listen to Reels and Wheels instead.
100 episodes
All episodes
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Similar to Reels & Wheels
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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continue reading
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…
continue reading
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…
continue reading
Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
…
continue reading
In The Filmcast, hardcore geeks David Chen, Devindra Hardawar, and Jeff Cannata debate, pontificate, and delve into the latest films, TV shows, and other entertainment-related items from the past week. Weekly guests include everyday bloggers, webmaster luminaries, film directors, and movie stars from all walks of life. You can reach us at slashfilmcast@gmail.com and find more podcast episodes at http://www.thefilmcast.com
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Determining if all these so called classic films are indeed just that.
…
continue reading
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