Artwork

Content provided by Research English At Durham. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Research English At Durham or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Time and Place: Bakhtin and Shakespeare

35:36
 
Share
 

Manage episode 311509907 series 3133828
Content provided by Research English At Durham. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Research English At Durham or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

All the world’s a stage – one of Shakespeare’s more famous sayings, and perhaps now almost a cliché. However, Helen Clifford uses the work of Russian literary theorist Mikhail Bakhtin to cast a new light on how Shakespeare’s stage and language are indeed bounded to coordinates in the world. His metaphors often ask us to imaginatively look up or down to heaven or hell, and to visualise where different symbolic spaces might exist in the actual theatre – something that different venues and theatre companies have exploited over the centuries.

For more details, visit https://wp.me/p2iX9Z-7y0

  continue reading

45 episodes

Artwork
iconShare
 
Manage episode 311509907 series 3133828
Content provided by Research English At Durham. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Research English At Durham or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

All the world’s a stage – one of Shakespeare’s more famous sayings, and perhaps now almost a cliché. However, Helen Clifford uses the work of Russian literary theorist Mikhail Bakhtin to cast a new light on how Shakespeare’s stage and language are indeed bounded to coordinates in the world. His metaphors often ask us to imaginatively look up or down to heaven or hell, and to visualise where different symbolic spaces might exist in the actual theatre – something that different venues and theatre companies have exploited over the centuries.

For more details, visit https://wp.me/p2iX9Z-7y0

  continue reading

45 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide