))
073 Casablanca (1942)
Manage episode 372446103 series 3497338
Content provided by Retro Grade. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Retro Grade or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“HERE’S LOOKING AT YOU, KID.”
On this episode of Retro Grade Podcast, we talk about one of the “greatest films of all time,” 1942’s Casablanca, directed by Michael Curtiz, starring Humphrey Bogart, Ingrid Bergman and Claude Rains. What makes this film so good? Is it still that good 80 years later? Is this movie just for movie nerds, or does this film still resonate with audiences today?
Since we both have a background of studying film in college, we are both familiar with Casablanca, both having sought it out after hearing it was one of the “best movies ever made.” Although it was in black and white, 4:3 aspect ratio, and filled to the brim with cheesy 1940’s dialogue, of all the films typically regarded as the best, Casablanca remains incredibly relatable and accessible to this day!
We talk about the legendary performances of Bogart and Bergman. Bogart, adding an emotional layer to an otherwise tough guy, no-nonsense actor and Bergman making us feel for a character that may have not had the most depth on the script. However, the script itself wasn’t too shabby either. There is something very charming about hearing characters speak in Classic Hollywood, where even (mostly) antagonistic characters like Claude Rains’ Captain Renault, add a delightful presence that makes you forget he’s playing a terrible person.
We take you back to the era of self-censored Hollywood, governed by the Production Code. How films were only allowed to portray marriage positively, crime always had to pay, and people of other nations were to be portrayed “fairly.’ The latter may not sound like a bad thing, but it doesn’t look so good when it also applies to Nazi’s. We talk about why a film with a love triangle with Nazi villains was so significant, and how the code was used to determine not only the content of films, but also the films that were even allowed to be made.
This is a good one, and we learned a lot of cool stuff about film history. If that sounds boring to you, we promise you, after 72 episodes we made this FUN!
Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.
Artwork by @jannelle_o
84 episodes
Share
