In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 100: Joan Crawford in The Women (1939)
Manage episode 300495453 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In 1939, Joan Crawford attempted to rebound from personal and professional setbacks by taking a risk on a small part an ensemble picture where even the roles of maids were fought over. Studio boss Louis B Mayer didn't want Joan to take the part. She stuck to her guns and made Crystal Allen a standout. Joan uses four different New York accents to show that a social climber needs to not only look the part, but sound it, too. And I'll tell you about the real backstage power struggle--between men.
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Manage episode 300495453 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In 1939, Joan Crawford attempted to rebound from personal and professional setbacks by taking a risk on a small part an ensemble picture where even the roles of maids were fought over. Studio boss Louis B Mayer didn't want Joan to take the part. She stuck to her guns and made Crystal Allen a standout. Joan uses four different New York accents to show that a social climber needs to not only look the part, but sound it, too. And I'll tell you about the real backstage power struggle--between men.
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145 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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