In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 128: Joan Crawford in Mildred Pierce (1945)
Manage episode 358761669 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Joan Crawford was considered a washed up actress by the time she left Metro in 1943. After a two-year absence from the screen, she returned in Mildred Pierce, making the most significant come back of the studio era. In flashback, Mildred is like one of the cakes she bakes for extra cash: Decorative, domestic, and made for other people's pleasure. By the end of the picture, she's had an education and learned her lessons the hard way. She is glorious. Thanks to Tom O'Mahoney for editing the episode.
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Manage episode 358761669 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Joan Crawford was considered a washed up actress by the time she left Metro in 1943. After a two-year absence from the screen, she returned in Mildred Pierce, making the most significant come back of the studio era. In flashback, Mildred is like one of the cakes she bakes for extra cash: Decorative, domestic, and made for other people's pleasure. By the end of the picture, she's had an education and learned her lessons the hard way. She is glorious. Thanks to Tom O'Mahoney for editing the episode.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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