In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 16: Joan Bennett in She Couldn't Take It (1935)
Manage episode 204916269 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Joan Bennett demonstrates that ignoring a man can be as effective as having an expert sass mouth. Her natural champagne blonde hair suits the icy character she plays. George Raft exhibits more range here than in any other film of his career. He cracks jokes, sings, and tries to be worthy of Joan Bennett. I close the episode with an excerpt from Tay Garnett's memoir Light Your Torches and Pull Up Your Tights, which recalls the time when he was hired by Harry Cohn to direct the picture. This one is an overlooked gem.
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Manage episode 204916269 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Joan Bennett demonstrates that ignoring a man can be as effective as having an expert sass mouth. Her natural champagne blonde hair suits the icy character she plays. George Raft exhibits more range here than in any other film of his career. He cracks jokes, sings, and tries to be worthy of Joan Bennett. I close the episode with an excerpt from Tay Garnett's memoir Light Your Torches and Pull Up Your Tights, which recalls the time when he was hired by Harry Cohn to direct the picture. This one is an overlooked gem.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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