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Theatre of Blood (1973) with Ben Viccellio

1:28:17
 
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Manage episode 434453643 series 3593354
Content provided by Bradford Louryk and Eric Winick, Bradford Louryk, and Eric Winick. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bradford Louryk and Eric Winick, Bradford Louryk, and Eric Winick or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Behold – the late, great Edward Lionheart, a Shakespearean actor whose performances in Julius Caesar, Troilus and Cressida, Othello, Cymbeline, and others left him the laughingstock of London theatre critics, is dead. And yet somehow, someone is knocking off said critics one at a time in truly Shakespearean fashion… albeit with slight alterations to the text. Shylock may have wanted his pound his flesh – this killer takes the heart. Joan of Arc might have burned at the stake – this killer fries his victims in a hair salon. Peregrine Devlin, head of the London Critics Circle, is baffled, as are the police. And yet – the order of the killings bear a striking resemblance to Lionheart’s last repertory season. What’s going on with the Thames-side meths drinkers that have taken up residence in the crumbling Burbage Theatre? And what might Edward’s daughter, Edwina, have to do with everything? Friends, Romans, Countrymen, lend us your ears – for herein lies the tale of the deceased actor who set out to exact revenge, and succeeded, and the rest – is silence.

Intro, Debate Society, Hot for Teacher (spoiler-free): 00:00-26:10
Honor Roll and Detention (spoiler-heavy): 26:11-1:07:38
Superlatives (spoiler-heavier): 1:07:39-1:28:17

Director Douglas Hickox
Screenplay Anthony Greville-Bell, based on an idea by Stanley Mann and John Kohn
Featuring Harry Andrews, Coral Browne, Robert Coote, Diana Dors, Jack Hawkins, Ian Hendry, Joan Hickson, Michael Hordern, Arthur Lowe, Robert Morley, Milo O’Shea, Dennis Price, Vincent Price, Diana Rigg, Eric Sykes

Ben Viccellio is an actor, writer and Associate Professor of Drama & Film at Kenyon College. His acting credits include the role of Oedipus in Frank Galati's Oedipus Complex at The Goodman Theatre; Cherry Orchard, Theatrical Essays, and the world premiere of Men of Tortuga at Steppenwolf; the role of Petruchio in Short Shakespeare: Taming of the Shrew, Macbeth in Short Shakespeare: Macbeth, and Guildenstern in Hamlet at Chicago Shakespeare Theatre. Ben has also also acted for film and television, as well as in the odd commercial... some of them, he claims, very odd. His writing for the stage has been produced in Chicago, Los Angeles, New York and Aspen.

Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from Theatre of Blood by Michael J. Lewis.

For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

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68 episodes

Artwork
iconShare
 
Manage episode 434453643 series 3593354
Content provided by Bradford Louryk and Eric Winick, Bradford Louryk, and Eric Winick. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bradford Louryk and Eric Winick, Bradford Louryk, and Eric Winick or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Behold – the late, great Edward Lionheart, a Shakespearean actor whose performances in Julius Caesar, Troilus and Cressida, Othello, Cymbeline, and others left him the laughingstock of London theatre critics, is dead. And yet somehow, someone is knocking off said critics one at a time in truly Shakespearean fashion… albeit with slight alterations to the text. Shylock may have wanted his pound his flesh – this killer takes the heart. Joan of Arc might have burned at the stake – this killer fries his victims in a hair salon. Peregrine Devlin, head of the London Critics Circle, is baffled, as are the police. And yet – the order of the killings bear a striking resemblance to Lionheart’s last repertory season. What’s going on with the Thames-side meths drinkers that have taken up residence in the crumbling Burbage Theatre? And what might Edward’s daughter, Edwina, have to do with everything? Friends, Romans, Countrymen, lend us your ears – for herein lies the tale of the deceased actor who set out to exact revenge, and succeeded, and the rest – is silence.

Intro, Debate Society, Hot for Teacher (spoiler-free): 00:00-26:10
Honor Roll and Detention (spoiler-heavy): 26:11-1:07:38
Superlatives (spoiler-heavier): 1:07:39-1:28:17

Director Douglas Hickox
Screenplay Anthony Greville-Bell, based on an idea by Stanley Mann and John Kohn
Featuring Harry Andrews, Coral Browne, Robert Coote, Diana Dors, Jack Hawkins, Ian Hendry, Joan Hickson, Michael Hordern, Arthur Lowe, Robert Morley, Milo O’Shea, Dennis Price, Vincent Price, Diana Rigg, Eric Sykes

Ben Viccellio is an actor, writer and Associate Professor of Drama & Film at Kenyon College. His acting credits include the role of Oedipus in Frank Galati's Oedipus Complex at The Goodman Theatre; Cherry Orchard, Theatrical Essays, and the world premiere of Men of Tortuga at Steppenwolf; the role of Petruchio in Short Shakespeare: Taming of the Shrew, Macbeth in Short Shakespeare: Macbeth, and Guildenstern in Hamlet at Chicago Shakespeare Theatre. Ben has also also acted for film and television, as well as in the odd commercial... some of them, he claims, very odd. His writing for the stage has been produced in Chicago, Los Angeles, New York and Aspen.

Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from Theatre of Blood by Michael J. Lewis.

For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

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