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#3 | Geoff Zanelli on making Adam Sandler laugh

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Manage episode 390579654 series 2745947
Content provided by Epicleff Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Epicleff Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Geoff Zanelli makes his long-awaited Score debut after one of Netflix’s most watched animated films of all-time, the Adam Sandler-produced LEO. In this episode, Kenny and Robert discuss the long-awaited arrival of MAESTRO, the Leonard Bernstein biopic, which we discussed on the 2nd episode of SCORE: THE PODCAST back when it was to be directed by Spielberg. Then, Robert and Geoff reminisce about drinking absinthe in Paris, before jumping into the challenge of making Adam Sandler laugh, and the paradox of writing “funny” music in animation. Plus, Geoff talks about his path from music school to being an intern at Hans Zimmer’s Remote Control Productions in the early (Lion King era) 1990s, sitting in on Alan Meyerson mixes, and getting his first opportunities while working for John Powell on the movie Face/Off.

  continue reading

121 episodes

Artwork
iconShare
 
Manage episode 390579654 series 2745947
Content provided by Epicleff Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Epicleff Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Geoff Zanelli makes his long-awaited Score debut after one of Netflix’s most watched animated films of all-time, the Adam Sandler-produced LEO. In this episode, Kenny and Robert discuss the long-awaited arrival of MAESTRO, the Leonard Bernstein biopic, which we discussed on the 2nd episode of SCORE: THE PODCAST back when it was to be directed by Spielberg. Then, Robert and Geoff reminisce about drinking absinthe in Paris, before jumping into the challenge of making Adam Sandler laugh, and the paradox of writing “funny” music in animation. Plus, Geoff talks about his path from music school to being an intern at Hans Zimmer’s Remote Control Productions in the early (Lion King era) 1990s, sitting in on Alan Meyerson mixes, and getting his first opportunities while working for John Powell on the movie Face/Off.

  continue reading

121 episodes

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