In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 94: Why Netflix Set Its Sights on Cinemas
Manage episode 222573763 series 1758802
Content provided by TIFF Long Take and TIFF (Toronto International Film Festival). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by TIFF Long Take and TIFF (Toronto International Film Festival) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on TIFF Long Take, Rob chats with IndieWire’s Anne Thompson about Netflix’s recent foray into the world of theatrical releases. Last month the company announced that three of its upcoming films would open exclusively in select theaters in the US and abroad for one to three weeks before they debuted online. The films include director Alfonso Cuarón’s 'Roma', The Coen Brothers’ 'The Ballad of Buster Scruggs'; and Susanne Bier’s 'Bird Box'.
Thompson talks about why Netflix strayed from its core business model, what message this sends to high profile filmmakers, and why Oscar aspirations may be influencing the decision.
She also discusses if large exhibitors would be willing to cooperate with Netflix, how the company is bracing for upcoming platforms from Disney and Apple, and what Netflix could learn from MoviePass.
102 episodes
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Manage episode 222573763 series 1758802
Content provided by TIFF Long Take and TIFF (Toronto International Film Festival). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by TIFF Long Take and TIFF (Toronto International Film Festival) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on TIFF Long Take, Rob chats with IndieWire’s Anne Thompson about Netflix’s recent foray into the world of theatrical releases. Last month the company announced that three of its upcoming films would open exclusively in select theaters in the US and abroad for one to three weeks before they debuted online. The films include director Alfonso Cuarón’s 'Roma', The Coen Brothers’ 'The Ballad of Buster Scruggs'; and Susanne Bier’s 'Bird Box'.
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She also discusses if large exhibitors would be willing to cooperate with Netflix, how the company is bracing for upcoming platforms from Disney and Apple, and what Netflix could learn from MoviePass.
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Similar to TIFF Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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