In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 358: An American Carol (2008)
Manage episode 207051018 series 2321051
Content provided by The Projection Booth and Weirding Way Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Projection Booth and Weirding Way Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We’re looking at the Conservative comedy, An American Carol 2008. The child of Charles Dickens and Bill O'Reilly, the film tells the tale of Michael Malone -- a stand-in for filmmaker Michael Moore (Kevin P. Farley). He's a liberal know-nothing who’s inflamed hate against the Land that We Love and is visited by four ghosts -- well, three ghosts and a contemporary country singer -- to try and convince him to love country music and stop complaining about gun control, global warming, unjust wars, and other bleeding-heart liberal causes.
Directed by David Zucker (Airplane!, Top Secret), the film was co-written by Myrna Sokoloff, as a reaction to Hollywood intolerance.
Rob St. Mary returns to the show along with Mike Sullivan to discuss the film, satire, and falafels.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
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Directed by David Zucker (Airplane!, Top Secret), the film was co-written by Myrna Sokoloff, as a reaction to Hollywood intolerance.
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Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
1429 episodes
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Manage episode 207051018 series 2321051
Content provided by The Projection Booth and Weirding Way Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Projection Booth and Weirding Way Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We’re looking at the Conservative comedy, An American Carol 2008. The child of Charles Dickens and Bill O'Reilly, the film tells the tale of Michael Malone -- a stand-in for filmmaker Michael Moore (Kevin P. Farley). He's a liberal know-nothing who’s inflamed hate against the Land that We Love and is visited by four ghosts -- well, three ghosts and a contemporary country singer -- to try and convince him to love country music and stop complaining about gun control, global warming, unjust wars, and other bleeding-heart liberal causes.
Directed by David Zucker (Airplane!, Top Secret), the film was co-written by Myrna Sokoloff, as a reaction to Hollywood intolerance.
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Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
…
continue reading
Directed by David Zucker (Airplane!, Top Secret), the film was co-written by Myrna Sokoloff, as a reaction to Hollywood intolerance.
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Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
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Similar to The Projection Booth Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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