In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#136: Moss Barclay, Executive Producer for TV at See-Saw Films
Manage episode 385527276 series 2478142
Content provided by bestgirlgrip. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by bestgirlgrip or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week’s guest is Moss Barclay, an Executive Producer for TV at See-Saw Films, whose shows include SLOW HORSES and THE ESSEX SERPENT on Apple TV+, HEARTSTOPPER on Netflix and THE NORTH WATER on BBC iPlayer.
Moss started her career working for filmmaker Paul Greengrass before co-founding new-writing theatre festival, HighTide. She was also an intern at Working Title and went on to hold positions at Big Talk Pictures and Sixteen Films before spending 10 years at Pulse Films, where she led the company’s expansion into scripted film and TV, developing GANGS OF LONDON for Sky AMC.
We talk about how Paul Greengrass introduced her to the film industry, her love of stories and reading and how that led her towards development, demystifying what it means to be a Head of Development, her time at Pulse Films and how she helped to redefine what Pulse did or could do, and her shift towards television, and what authored TV looks like, as well as her work at See-Saw Films.
100 episodes
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Manage episode 385527276 series 2478142
Content provided by bestgirlgrip. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by bestgirlgrip or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week’s guest is Moss Barclay, an Executive Producer for TV at See-Saw Films, whose shows include SLOW HORSES and THE ESSEX SERPENT on Apple TV+, HEARTSTOPPER on Netflix and THE NORTH WATER on BBC iPlayer.
Moss started her career working for filmmaker Paul Greengrass before co-founding new-writing theatre festival, HighTide. She was also an intern at Working Title and went on to hold positions at Big Talk Pictures and Sixteen Films before spending 10 years at Pulse Films, where she led the company’s expansion into scripted film and TV, developing GANGS OF LONDON for Sky AMC.
We talk about how Paul Greengrass introduced her to the film industry, her love of stories and reading and how that led her towards development, demystifying what it means to be a Head of Development, her time at Pulse Films and how she helped to redefine what Pulse did or could do, and her shift towards television, and what authored TV looks like, as well as her work at See-Saw Films.
100 episodes
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Similar to Best Girl Grip
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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Determining if all these so called classic films are indeed just that.
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