In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#86: Rachael Tate, Dialogue & ADR Editor
Manage episode 294049510 series 2478142
Content provided by bestgirlgrip. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by bestgirlgrip or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week my guest is Rachael Tate, a BAFTA award-winning Dialogue & ADR supervisor slash editor whose credits include 1917 (for which she won the BAFTA), upcoming Bond film No Time to Die, The Rhythm Section, All the Money in the World and The Martian.
We talk about how Rachael got into this line of work, what exactly ADR is and how she works with actors to try and recreate their performance in the studio, why she perceives her job to be more of a craft than a technical role and how she achieves authenticity so that every word or breath you hear in a film, feels like it belongs.
100 episodes
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Manage episode 294049510 series 2478142
Content provided by bestgirlgrip. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by bestgirlgrip or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week my guest is Rachael Tate, a BAFTA award-winning Dialogue & ADR supervisor slash editor whose credits include 1917 (for which she won the BAFTA), upcoming Bond film No Time to Die, The Rhythm Section, All the Money in the World and The Martian.
We talk about how Rachael got into this line of work, what exactly ADR is and how she works with actors to try and recreate their performance in the studio, why she perceives her job to be more of a craft than a technical role and how she achieves authenticity so that every word or breath you hear in a film, feels like it belongs.
100 episodes
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Similar to Best Girl Grip
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
From the creators of the #1 documentary SCORE comes this award-winning podcast inviting you into the world of today's most beloved film composers and brilliant musical storytellers.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
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…
continue reading
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continue reading
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continue reading
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…
continue reading
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…
continue reading
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