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Ambitions and Ascensions, with Des Gayle

 
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Manage episode 378683985 series 2907019
Content provided by Drew Messinger-Michaels, Frances Michelle Cannon, and Lucio Valentino. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Drew Messinger-Michaels, Frances Michelle Cannon, and Lucio Valentino or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

ETAO PODCAST, EPISODE 171.

Des Gayle ascends to the sky island of podcastery to discuss his storied career as a producer, the difficulty of enjoying art when you know how it’s made—experiencing it with kids can help—and the joys of self-contained stories in the age of the mega-franchise.

You can learn more about Altered Gene and Radical Forge on their websites.
You also can wishlist Forever Lost and The Analyst, and preorder The Analyst: Redacted.
———
This interview with Joe Russo contains the clearest explanation we’ve gotten of just how, and just how much, the direction of the MCU is pre-determined: Disney makes ambitious, semi-longterm plans about which projects they plan to make, but then they’re intensely flexible and reactive about the business of actually making them. That interview is the main source for that one Screen Rant piece, and that one other Screen Rant piece, both of which hinge on this quote:

The way it works at Marvel, and I’m sure at some point somebody will talk in detail about this, but part of Kevin [Feige]’s brilliance is that there isn’t really a plan. There’s an idea, but you can’t have a plan if the movie you’re making tanks. There’s no plan after that, right? So, it’s really about, as the movie succeeded, there was sort of an enthusiasm about well, what else could we do? […] A lot of the stuff was made up in between the movies. And some of the best call forwards or callbacks were thought of after the fact.

• Here’s our talk with Anton Hand about simulationist tendencies, and the limits thereof.

———

“All The People Say (Season 5)” by Carpe Demon.
“Effugere” from the Forever Lost OST by Richard J Moir.

We’re on Apple Podcasts, Google Podcasts, Stitcher, Amazon Music, Spotify, PocketCasts, and just about everywhere else. You can also subscribe using good old-fashioned RSS.

Logo by Aaron Perry-Zucker, using Icons by by Llisole, Dávid Gladiš, Atif Arshad, Daniel Nochta, Mike Rowe, Jakub Čaja, Raji Purcell and IconsGhost from the Noun Project.

Left-click to play. Right-click to download.

  continue reading

181 episodes

Artwork
iconShare
 
Manage episode 378683985 series 2907019
Content provided by Drew Messinger-Michaels, Frances Michelle Cannon, and Lucio Valentino. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Drew Messinger-Michaels, Frances Michelle Cannon, and Lucio Valentino or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

ETAO PODCAST, EPISODE 171.

Des Gayle ascends to the sky island of podcastery to discuss his storied career as a producer, the difficulty of enjoying art when you know how it’s made—experiencing it with kids can help—and the joys of self-contained stories in the age of the mega-franchise.

You can learn more about Altered Gene and Radical Forge on their websites.
You also can wishlist Forever Lost and The Analyst, and preorder The Analyst: Redacted.
———
This interview with Joe Russo contains the clearest explanation we’ve gotten of just how, and just how much, the direction of the MCU is pre-determined: Disney makes ambitious, semi-longterm plans about which projects they plan to make, but then they’re intensely flexible and reactive about the business of actually making them. That interview is the main source for that one Screen Rant piece, and that one other Screen Rant piece, both of which hinge on this quote:

The way it works at Marvel, and I’m sure at some point somebody will talk in detail about this, but part of Kevin [Feige]’s brilliance is that there isn’t really a plan. There’s an idea, but you can’t have a plan if the movie you’re making tanks. There’s no plan after that, right? So, it’s really about, as the movie succeeded, there was sort of an enthusiasm about well, what else could we do? […] A lot of the stuff was made up in between the movies. And some of the best call forwards or callbacks were thought of after the fact.

• Here’s our talk with Anton Hand about simulationist tendencies, and the limits thereof.

———

“All The People Say (Season 5)” by Carpe Demon.
“Effugere” from the Forever Lost OST by Richard J Moir.

We’re on Apple Podcasts, Google Podcasts, Stitcher, Amazon Music, Spotify, PocketCasts, and just about everywhere else. You can also subscribe using good old-fashioned RSS.

Logo by Aaron Perry-Zucker, using Icons by by Llisole, Dávid Gladiš, Atif Arshad, Daniel Nochta, Mike Rowe, Jakub Čaja, Raji Purcell and IconsGhost from the Noun Project.

Left-click to play. Right-click to download.

  continue reading

181 episodes

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