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Conserving conservation materials with Simon Fleury

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Manage episode 398336373 series 3534938
Content provided by Bridget Harvey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bridget Harvey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Simon Fleury originally trained as a photographer, making and developing physical photographs. He came to conservation incidentally, training on the job and transitioning from technical worker to become a conservator.

Simon and I met at Victoria and Albert Museum back in 2018 when I was artist in residence there. Our conversation here is about Simon’s work on exploring the pioneering practices of curator Richard Redgrave and the photographic condition documentation of the Raphael cartoons.

Richard Redgrave worked at the South Kensington Museum (as the V&A was known then), and around 1864 he produced a series of annotated photographs of the Raphael cartoons. In producing these ‘condition reports’ he began a method still in use by conservators today.

We also talk about Simon’s work on adapting perspectives and thinking around contemporary conservation work.


These podcasts have been kindly supported by funding from CCW Research (University of the Arts London) and the Centre for Circular Design. Thanks also to porject manager Meghan Hutchins and illustrator Debbie Powell.

  continue reading

7 episodes

Artwork
iconShare
 
Manage episode 398336373 series 3534938
Content provided by Bridget Harvey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bridget Harvey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Simon Fleury originally trained as a photographer, making and developing physical photographs. He came to conservation incidentally, training on the job and transitioning from technical worker to become a conservator.

Simon and I met at Victoria and Albert Museum back in 2018 when I was artist in residence there. Our conversation here is about Simon’s work on exploring the pioneering practices of curator Richard Redgrave and the photographic condition documentation of the Raphael cartoons.

Richard Redgrave worked at the South Kensington Museum (as the V&A was known then), and around 1864 he produced a series of annotated photographs of the Raphael cartoons. In producing these ‘condition reports’ he began a method still in use by conservators today.

We also talk about Simon’s work on adapting perspectives and thinking around contemporary conservation work.


These podcasts have been kindly supported by funding from CCW Research (University of the Arts London) and the Centre for Circular Design. Thanks also to porject manager Meghan Hutchins and illustrator Debbie Powell.

  continue reading

7 episodes

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