In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Sara Canning on Martha Marcy May Marlene
Manage episode 416936545 series 2540982
Content provided by Norm Wilner/Frequency Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Norm Wilner/Frequency Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
It’s our 500th episode, and actor Sara Canning – who’s got two films opening in Toronto this month, The Burning Season this Friday, May 10th, and Sweetland on May 17th – is here to plumb the psychological depths of Sean Durkin’s Martha Marcy May Marlene, the film that showed us all what Elizabeth Olsen could do, and left us on the edges of our seats. Your genial host Norm Wilner still hasn’t recovered, honestly.
461 episodes
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Manage episode 416936545 series 2540982
Content provided by Norm Wilner/Frequency Podcast Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Norm Wilner/Frequency Podcast Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
It’s our 500th episode, and actor Sara Canning – who’s got two films opening in Toronto this month, The Burning Season this Friday, May 10th, and Sweetland on May 17th – is here to plumb the psychological depths of Sean Durkin’s Martha Marcy May Marlene, the film that showed us all what Elizabeth Olsen could do, and left us on the edges of our seats. Your genial host Norm Wilner still hasn’t recovered, honestly.
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Similar to Someone Else's Movie
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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