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Sonnet 85: My Tongue-Tied Muse in Manners Holds Her Still

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Content provided by Sebastian Michael. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sebastian Michael or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

With Sonnet 85, William Shakespeare concludes the group-within-a-group of four sonnets that concern themselves with his own defence against the charge – evidently levied by his young lover – that his poetry is lacking in lavish expressions of praise and that 'imputes', as Shakespeare himself calls it in Sonnet 83, his silence, or, as it should more accurately be described, comparative silence, as a sin.

Here, Shakespeare rounds off his main argument, giving as the reason for this 'silence' simply decorum – good manners – and suggesting that while he can agree with all the praise heaped on the young man by other poets – for which here again we can assume he means principally one other poet – discretion demands that he remain silent and allow for his actions to express his genuine love for him better than words.

  continue reading

95 episodes

Artwork
iconShare
 
Manage episode 419018373 series 3415878
Content provided by Sebastian Michael. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sebastian Michael or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

With Sonnet 85, William Shakespeare concludes the group-within-a-group of four sonnets that concern themselves with his own defence against the charge – evidently levied by his young lover – that his poetry is lacking in lavish expressions of praise and that 'imputes', as Shakespeare himself calls it in Sonnet 83, his silence, or, as it should more accurately be described, comparative silence, as a sin.

Here, Shakespeare rounds off his main argument, giving as the reason for this 'silence' simply decorum – good manners – and suggesting that while he can agree with all the praise heaped on the young man by other poets – for which here again we can assume he means principally one other poet – discretion demands that he remain silent and allow for his actions to express his genuine love for him better than words.

  continue reading

95 episodes

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