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Django Unchained (2012, Quentin Tarantino, Jamie Foxx, Leonardo DiCaprio): SPOILER Episode 39

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Archived series ("Redirect loop" status)

When? This feed was archived on January 04, 2018 12:16 (6+ y ago). Last successful fetch was on May 04, 2018 13:27 (6+ y ago)

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What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 194475053 series 1875265
Content provided by Joe Shmo. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe Shmo or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

“The D is silent”

This week we’re watching Quentin Tarantino’s revisionist western ‘Django Unchained’ starring Jamie Foxx, Christoph Waltz and Leonardo DiCaprio and the team are in two minds about its uncomfortable mixture of tones. While Paul wonders if presenting Spoiler has made him extra-sensitive, Rachael discusses her differing reactions to cartoonish splatter and realistic brutality, while Andy feels that the film merely uses slavery as a catalyst to stoke the flames of the audience’s bloodlust. While Rachael cringes at Tarantino’s decision to include jarring modern music on the soundtrack when he had access to the supreme Ennio Morricone, Andy suggests that Tarantino’s penchant for homage may undermine his own unique voice. Paul explains the etiquette of watching violent 18 rated films in coffee shops and the team discuss whether revenge films are morally acceptable in a society that is perhaps too in love with violence already. On the plus side, everyone adores Christoph Waltz. And is Quentin Tarantino really comparable to J.K. Rowling?

Elsewhere, Andy explores whether real life tragedy can ever be successfully combined with fiction, with reference to the ‘X-Men’ films, ‘Quantum Leap’ and Jerry Lewis’s lost item of cult obsession ‘The Day the Clown Cried’.

This week’s scale: Taranti-no or Taranti-yes

  continue reading

42 episodes

Artwork
iconShare
 

Archived series ("Redirect loop" status)

When? This feed was archived on January 04, 2018 12:16 (6+ y ago). Last successful fetch was on May 04, 2018 13:27 (6+ y ago)

Why? Redirect loop status. We detected 2 or more feeds redirecting to each other.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 194475053 series 1875265
Content provided by Joe Shmo. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe Shmo or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

“The D is silent”

This week we’re watching Quentin Tarantino’s revisionist western ‘Django Unchained’ starring Jamie Foxx, Christoph Waltz and Leonardo DiCaprio and the team are in two minds about its uncomfortable mixture of tones. While Paul wonders if presenting Spoiler has made him extra-sensitive, Rachael discusses her differing reactions to cartoonish splatter and realistic brutality, while Andy feels that the film merely uses slavery as a catalyst to stoke the flames of the audience’s bloodlust. While Rachael cringes at Tarantino’s decision to include jarring modern music on the soundtrack when he had access to the supreme Ennio Morricone, Andy suggests that Tarantino’s penchant for homage may undermine his own unique voice. Paul explains the etiquette of watching violent 18 rated films in coffee shops and the team discuss whether revenge films are morally acceptable in a society that is perhaps too in love with violence already. On the plus side, everyone adores Christoph Waltz. And is Quentin Tarantino really comparable to J.K. Rowling?

Elsewhere, Andy explores whether real life tragedy can ever be successfully combined with fiction, with reference to the ‘X-Men’ films, ‘Quantum Leap’ and Jerry Lewis’s lost item of cult obsession ‘The Day the Clown Cried’.

This week’s scale: Taranti-no or Taranti-yes

  continue reading

42 episodes

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