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Shostakovich String Quartet No. 4

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Manage episode 324852092 series 2391370
Content provided by Joshua Weilerstein. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joshua Weilerstein or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Shostakovich is one of the easiest composers to do podcasts about because his life and his music is full of such incredible stories. But as easy as it is, it's also complicated. Shostakovich's music is sometimes heard as a musical history book, a testament, which it often is, but we should never lose sight of the fact that Shostakovich was a composer first, not a politician. So today we're going to be looking at the 4th quartet in two contexts, the historical and the musical, and then try to see how one works(or doesn't) with the other. How do you incorporate religion into music, and how do you handle the heavy burden that was laid down to you by masters of the String Quartet like Haydn, Mozart, Beethoven, and Schubert? How do you write political music without getting in trouble with the authorities? How do you speak out against injustice when it can put you in grave danger? Shostakovich, as always, has the answers. Join us!

  continue reading

381 episodes

Artwork
iconShare
 
Manage episode 324852092 series 2391370
Content provided by Joshua Weilerstein. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joshua Weilerstein or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Shostakovich is one of the easiest composers to do podcasts about because his life and his music is full of such incredible stories. But as easy as it is, it's also complicated. Shostakovich's music is sometimes heard as a musical history book, a testament, which it often is, but we should never lose sight of the fact that Shostakovich was a composer first, not a politician. So today we're going to be looking at the 4th quartet in two contexts, the historical and the musical, and then try to see how one works(or doesn't) with the other. How do you incorporate religion into music, and how do you handle the heavy burden that was laid down to you by masters of the String Quartet like Haydn, Mozart, Beethoven, and Schubert? How do you write political music without getting in trouble with the authorities? How do you speak out against injustice when it can put you in grave danger? Shostakovich, as always, has the answers. Join us!

  continue reading

381 episodes

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