In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Part 4: Placement and displacement (ft. Jessica Bardsley)
Manage episode 321658931 series 3003260
Content provided by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This month, Lodgers alumnus and filmmaker Jessica Bardsley joins us to talk about three exceedingly different projects, all linked by the theme of displacement: 1978's Jeanne Dielman follow-up Les rendez-vous d'Anna, 1984's hilarious Family Business, made while looking to secure funding for Golden Eighties (more on that one in a future episode) and 1993's commanding documentary depicting life in Eastern Europe following the collapse of the USSR, D'Est.
Music used in this episode: Imperia, "Train to Leningrad"
If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod
Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/
12 episodes
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Manage episode 321658931 series 3003260
Content provided by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This month, Lodgers alumnus and filmmaker Jessica Bardsley joins us to talk about three exceedingly different projects, all linked by the theme of displacement: 1978's Jeanne Dielman follow-up Les rendez-vous d'Anna, 1984's hilarious Family Business, made while looking to secure funding for Golden Eighties (more on that one in a future episode) and 1993's commanding documentary depicting life in Eastern Europe following the collapse of the USSR, D'Est.
Music used in this episode: Imperia, "Train to Leningrad"
If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod
Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/
12 episodes
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Similar to The Akerman Year
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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Radio Ahmadiyya - the real voice of Islam is a weekly Radio Broadcast in the Urdu language with the mandate to educate its listeners about Islam and Ahmadiyyat. It presents the teachings of Islam as explained in the Holy Qur'an and by the Holy Prophet of Islam, Muhammad (Peace and Blessings of Allah be on him).
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