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Art of the Chase: Inside Art Auctions - Revisited

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Manage episode 310088809 series 3047962
Content provided by Steven Schindler and Katie Wilson-Milne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steven Schindler and Katie Wilson-Milne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This month, we are updating and rereleasing one of our most popular episodes, Art of the Chase: Inside Art Auctions. In this episode, we take a close look at art auctions – how they work, their place in the art market and the rules and regulations that confine/define them. Auctions at Sotheby’s and Christie’s now regularly net tens and sometimes hundreds of millions of dollars for a single work. Christie’s sold Leonardo da Vinci’s Salvator Mundi painting for $450 million in 2017, still, by far, the highest price ever garnered by a piece of art at auction. At the same time, much about the auction process remains secret. The identity of the buyer and seller is often known only to the auction house, and the reserve price (below which an artwork will not be sold) is known by the auctioneer but not the bidders. While the auctioneer may not sell a work of art below its reserve price, it can bid on the work below the reserve to get the auction going. Steve and Katie discuss these issues and others having to do with regulation, transparency and potential conflicts, and welcome famous Sotheby’s auctioneer Oliver Barker to take us behind the scenes of a big auction.

Notes for this episode: http://artlawpodcast.com/2019/12/02/art-of-the-chase-inside-art-auctions-revisited/

Follow the Art Law Podcast

Instagram: https://www.instagram.com/artlawpodcast/

TikTok: https://www.tiktok.com/@artlawpodcast

  continue reading

63 episodes

Artwork
iconShare
 
Manage episode 310088809 series 3047962
Content provided by Steven Schindler and Katie Wilson-Milne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steven Schindler and Katie Wilson-Milne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This month, we are updating and rereleasing one of our most popular episodes, Art of the Chase: Inside Art Auctions. In this episode, we take a close look at art auctions – how they work, their place in the art market and the rules and regulations that confine/define them. Auctions at Sotheby’s and Christie’s now regularly net tens and sometimes hundreds of millions of dollars for a single work. Christie’s sold Leonardo da Vinci’s Salvator Mundi painting for $450 million in 2017, still, by far, the highest price ever garnered by a piece of art at auction. At the same time, much about the auction process remains secret. The identity of the buyer and seller is often known only to the auction house, and the reserve price (below which an artwork will not be sold) is known by the auctioneer but not the bidders. While the auctioneer may not sell a work of art below its reserve price, it can bid on the work below the reserve to get the auction going. Steve and Katie discuss these issues and others having to do with regulation, transparency and potential conflicts, and welcome famous Sotheby’s auctioneer Oliver Barker to take us behind the scenes of a big auction.

Notes for this episode: http://artlawpodcast.com/2019/12/02/art-of-the-chase-inside-art-auctions-revisited/

Follow the Art Law Podcast

Instagram: https://www.instagram.com/artlawpodcast/

TikTok: https://www.tiktok.com/@artlawpodcast

  continue reading

63 episodes

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