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The Bloody Pit #70 - VENGEANCE (1968)

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When? This feed was archived on September 02, 2022 17:38 (2y ago). Last successful fetch was on August 02, 2022 00:35 (2y ago)

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Manage episode 212211566 series 2379040
Content provided by Rod Barnett. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rod Barnett or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Antonio Margheriti directed several westerns over his very long career. VENGEANCE (1968) was his second effort in the genre after 1967's DYNAMITE JOE and the evidence here shows he was very comfortable in the field. Margheriti also takes a full writers credit on this one meaning that he had a strong hand in shaping the story instead of just being a director for hire. Perhaps this means we can see what 'Mr. Dawson' was thinking in the late 1960's about westerns and the specific Italian slant on them when looking at this early in the cycle example. What are the necessary elements that need to be included?

Attention grabbing opening scene? Check.

Clint Eastwood-style loner? Check.

Revenge plot fueling the action? Check.

Intricate crime with backstabbing and betrayal? Check.

Gorgeous female character with little to do? Check.

Charismatic bad guy with odd affectations? Check.

As much violence as the times will allow? Check.

Seems like he had everything in place. But did he craft a good movie? Join John Hudson and I as we go through this well produced film starring Richard Harrison and a host of excellent European actors including Margheriti regular Luciano Pigozzi. (Was there an actor who appeared in more of his movies?) I complain about the plain nature of Harrison's name while Hudson laments the missed opportunity for a cameo by the Invisible Chimp. We talk about the Savina score, the title song, the joys of catching smaller onscreen details and pointing out where the film could/should have been shortened. We also take a few unexpected side roads with the lengthy DAWN OF THE DEAD conversation being pretty ridiculous even if it did relate to the 'less is more' concept.

Near the end we discuss an email sent in by a listener and if you'd like to comment on the show the address is thebloodypit@gmail.com. We would love to hear from you! Thank you for downloading and listening to us babble. We'll be back soon with more.

  continue reading

103 episodes

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The Bloody Pit #70 - VENGEANCE (1968)

The Bloody Pit

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Archived series ("Inactive feed" status)

When? This feed was archived on September 02, 2022 17:38 (2y ago). Last successful fetch was on August 02, 2022 00:35 (2y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 212211566 series 2379040
Content provided by Rod Barnett. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rod Barnett or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Antonio Margheriti directed several westerns over his very long career. VENGEANCE (1968) was his second effort in the genre after 1967's DYNAMITE JOE and the evidence here shows he was very comfortable in the field. Margheriti also takes a full writers credit on this one meaning that he had a strong hand in shaping the story instead of just being a director for hire. Perhaps this means we can see what 'Mr. Dawson' was thinking in the late 1960's about westerns and the specific Italian slant on them when looking at this early in the cycle example. What are the necessary elements that need to be included?

Attention grabbing opening scene? Check.

Clint Eastwood-style loner? Check.

Revenge plot fueling the action? Check.

Intricate crime with backstabbing and betrayal? Check.

Gorgeous female character with little to do? Check.

Charismatic bad guy with odd affectations? Check.

As much violence as the times will allow? Check.

Seems like he had everything in place. But did he craft a good movie? Join John Hudson and I as we go through this well produced film starring Richard Harrison and a host of excellent European actors including Margheriti regular Luciano Pigozzi. (Was there an actor who appeared in more of his movies?) I complain about the plain nature of Harrison's name while Hudson laments the missed opportunity for a cameo by the Invisible Chimp. We talk about the Savina score, the title song, the joys of catching smaller onscreen details and pointing out where the film could/should have been shortened. We also take a few unexpected side roads with the lengthy DAWN OF THE DEAD conversation being pretty ridiculous even if it did relate to the 'less is more' concept.

Near the end we discuss an email sent in by a listener and if you'd like to comment on the show the address is thebloodypit@gmail.com. We would love to hear from you! Thank you for downloading and listening to us babble. We'll be back soon with more.

  continue reading

103 episodes

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