In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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25 - Two Pretzel Minimum (Happy Death Day [2017] with Fear Queers Podcast/You’re Killing Me [2015])
Manage episode 326061712 series 2990351
Content provided by Kevin Sparrow. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kevin Sparrow or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Let’s have a celebration! 25 episodes in, it’s not our birthday but we’re finally ready for a death day. We’re joined by Fear Queers co-hosts Beyza Ozer and Chase Hauser to chortle over the 2017 Blumhouse smash, Happy Death Day. Listen along as we talk creepy and problematic school mascots, infinite time loops, why you shouldn't trust a birthday cupcake, and what we want out of Happy Death Day 3Me (in 3D). Then, we offer a second feature recommendation of the 2015 indie horror-comedy You’re Killing Me.
Follow Fear Queers wherever you get your podcasts, on Twitter @fearqueerspod,
or the LGBTQVHS project on Instagram @lgbtqvhs
You can find Beyza on Twitter @finalbeyza
or follow their newsletter Monster Camp
And you can find Chase on YouTube as ThatGayJedi
and on Twitter @_thatgayjedi
Follow our show on social media @CallsInsidePod
and our host Kevin Sparrow on Twitter @dirtydevlin
Referenced in this episode:
Aaron Couch - ‘Happy Death Day’ director had just 2 days to shoot key scene over and over. The Hollywood Reporter, 13 October 2017.
Laura McKnight - Lawsuit claims movie villain is King Cake Baby’s evil twin. NOLA.com, 22 July 2019.
53 episodes
Share
Manage episode 326061712 series 2990351
Content provided by Kevin Sparrow. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kevin Sparrow or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Let’s have a celebration! 25 episodes in, it’s not our birthday but we’re finally ready for a death day. We’re joined by Fear Queers co-hosts Beyza Ozer and Chase Hauser to chortle over the 2017 Blumhouse smash, Happy Death Day. Listen along as we talk creepy and problematic school mascots, infinite time loops, why you shouldn't trust a birthday cupcake, and what we want out of Happy Death Day 3Me (in 3D). Then, we offer a second feature recommendation of the 2015 indie horror-comedy You’re Killing Me.
Follow Fear Queers wherever you get your podcasts, on Twitter @fearqueerspod,
or the LGBTQVHS project on Instagram @lgbtqvhs
You can find Beyza on Twitter @finalbeyza
or follow their newsletter Monster Camp
And you can find Chase on YouTube as ThatGayJedi
and on Twitter @_thatgayjedi
Follow our show on social media @CallsInsidePod
and our host Kevin Sparrow on Twitter @dirtydevlin
Referenced in this episode:
Aaron Couch - ‘Happy Death Day’ director had just 2 days to shoot key scene over and over. The Hollywood Reporter, 13 October 2017.
Laura McKnight - Lawsuit claims movie villain is King Cake Baby’s evil twin. NOLA.com, 22 July 2019.
53 episodes
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Similar to The Calls Are Coming from Inside the Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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