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#5: How To Coordinate a Film set of 40+ People

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Manage episode 310972467 series 3079003
Content provided by The Chris Brodhead Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Chris Brodhead Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode I talk to Filmmaker Robert Bruce Carter who just finished directing his most ambitious short to date. After the script won numerous awards, he set about to raise the biggest budget he’s ever worked with. The production spanned three days and involved over 40 people on set handling everything from extras to Portuguese translation. There are some awesome insights on how to organize and work with such a large crew. Not to mention why you should shoot with a Sony FS7 instead of a Red, how to handle the biggest budget you’ve ever worked with, and more! Hope you enjoy it as much as I did! 0:30 The difference between Pre-Production and Development 1:10 How to coordinate 40+ people on set 2:50 Why you should use a Sony FS7 instead of a Red 3:30 The best way to edit 4K 4:00 How to handle the biggest budget you’ve ever worked with 5:00 If the shit hit the fan would you pay your crew or your rent? 5:20 Ideal crew for your short 6:00 The importance of a good prop person 7:30
  continue reading

15 episodes

Artwork
iconShare
 
Manage episode 310972467 series 3079003
Content provided by The Chris Brodhead Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Chris Brodhead Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode I talk to Filmmaker Robert Bruce Carter who just finished directing his most ambitious short to date. After the script won numerous awards, he set about to raise the biggest budget he’s ever worked with. The production spanned three days and involved over 40 people on set handling everything from extras to Portuguese translation. There are some awesome insights on how to organize and work with such a large crew. Not to mention why you should shoot with a Sony FS7 instead of a Red, how to handle the biggest budget you’ve ever worked with, and more! Hope you enjoy it as much as I did! 0:30 The difference between Pre-Production and Development 1:10 How to coordinate 40+ people on set 2:50 Why you should use a Sony FS7 instead of a Red 3:30 The best way to edit 4K 4:00 How to handle the biggest budget you’ve ever worked with 5:00 If the shit hit the fan would you pay your crew or your rent? 5:20 Ideal crew for your short 6:00 The importance of a good prop person 7:30
  continue reading

15 episodes

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