In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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GFF 2024: George MacKay on The Beast
Manage episode 421096854 series 3302922
Content provided by The Skinny. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Skinny or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
George Mackay is one of the most interesting young actors from these shores and a firm CineSkinny favourite. We were massive fans of Mackay's recent film, Femme, from last year, and barely an episode goes by on the pod without us mentioning the wonderful Pride.
Back in March, we sat down with Mackay while he was visiting Glasgow Film Festival for the UK premiere of The Beast, a heady sci-fi romance spread across three timelines. We chat to him about The Beast, AI, his favourite film roles and having to act in French opposite Léa Seydoux. Have a listen!
TIMESTAMPS:
Introduction (0:05)
How Mackay chooses his roles (1:58)
How he got the part of Louis in The Beast (4:55)
Working with writer-director Bertrand Bonello (9:15)
What Mackay took away from the script (9:58)
Learning French for the role (15:05)
Working with Léa Seydoux (18:38)
The rise of AI (20:30)
His favourite of his own films (24:00)
If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials!
Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk
Recorded on location at Glasgow Film Festival
Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license
69 episodes
Share
Manage episode 421096854 series 3302922
Content provided by The Skinny. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Skinny or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
George Mackay is one of the most interesting young actors from these shores and a firm CineSkinny favourite. We were massive fans of Mackay's recent film, Femme, from last year, and barely an episode goes by on the pod without us mentioning the wonderful Pride.
Back in March, we sat down with Mackay while he was visiting Glasgow Film Festival for the UK premiere of The Beast, a heady sci-fi romance spread across three timelines. We chat to him about The Beast, AI, his favourite film roles and having to act in French opposite Léa Seydoux. Have a listen!
TIMESTAMPS:
Introduction (0:05)
How Mackay chooses his roles (1:58)
How he got the part of Louis in The Beast (4:55)
Working with writer-director Bertrand Bonello (9:15)
What Mackay took away from the script (9:58)
Learning French for the role (15:05)
Working with Léa Seydoux (18:38)
The rise of AI (20:30)
His favourite of his own films (24:00)
If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials!
Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk
Recorded on location at Glasgow Film Festival
Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license
69 episodes
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Similar to The Cineskinny
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
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…
continue reading
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continue reading
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continue reading
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…
continue reading
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…
continue reading
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continue reading
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…
continue reading
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