In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Exorcism, The G, Bye Bye Tiberias, and Films That Didn't Need To Go That Hard
Manage episode 424573218 series 3302922
Content provided by The Skinny. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Skinny or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We're back to a full complement this week for a B-movie bonanza. Russell Crowe is back on his anti-demon beat in The Exorcism (bad), Dale Dickey is out for revenge in The G (better), and we all chat about some of our favourite genre movies.
Anahit fills us in on Lina Soualem and Hiam Abbas' new documentary Bye Bye Tiberias so we can keep our arthouse credentials, then we fling it all away talking about the Minions and whether or not it's good to eat mud. For your consideration, it's The Cineskinny.
TIMESTAMPS:
WWBW: Bye Bye Tiberias, Fried Green Tomatoes..., Interview with the Vampire, Minions: Rise of Gru (2:00)
The Exorcism review (14:20)
The G review (27:15)
Films With No Right To Be This Good: House, Pacific Rim, Speed Racer, Detour, The Running Man (40:10)
Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live
Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license
70 episodes
Share
Manage episode 424573218 series 3302922
Content provided by The Skinny. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Skinny or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We're back to a full complement this week for a B-movie bonanza. Russell Crowe is back on his anti-demon beat in The Exorcism (bad), Dale Dickey is out for revenge in The G (better), and we all chat about some of our favourite genre movies.
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TIMESTAMPS:
WWBW: Bye Bye Tiberias, Fried Green Tomatoes..., Interview with the Vampire, Minions: Rise of Gru (2:00)
The Exorcism review (14:20)
The G review (27:15)
Films With No Right To Be This Good: House, Pacific Rim, Speed Racer, Detour, The Running Man (40:10)
Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live
Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license
70 episodes
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Similar to The Cineskinny
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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