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3.4 Struggling with Disaster

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Manage episode 327313448 series 3007415
Content provided by Adam Colman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Colman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

From the book of Genesis on, the Hebrew Bible presents a struggle with language: a struggle to establish meaning, to figure out the right uses of words, to understand one's place in the world. The famous early scene of struggle in the Hebrew Bible, Jacob's wrestling match with the divine, goes as follows in the King James translation:

Jacob was left alone; and there wrestled a man with him until the breaking of the day. And when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of Jacob's thigh was out of joint, as he wrestled with him. And he said, Let me go, for the day breaketh. And he said, I will not let thee go, except thou bless me. And he said unto him, What is thy name?

As Peter Cole says, "The release from that one struggle, and the blessing, only comes with a knowledge of names." Even this physical wrestling match becomes a matter of language, then.

Struggles with outright disaster generate language quests, too. Elisa Gabbert elaborates on disaster poetry in this episode, especially on the subject of W.H. Auden's "Musée des Beaux Arts." She says: "It reminds you how much text there is in a poem. It's wild." And she describes a proliferating kind of irony that radiates possibilities in so many directions, to which poetry might grant access.

Find more from Elisa Gabbert on Auden’s poem here:

https://www.nytimes.com/interactive/2022/03/06/books/auden-musee-des-beaux-arts.html

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

30 episodes

Artwork
iconShare
 
Manage episode 327313448 series 3007415
Content provided by Adam Colman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Colman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

From the book of Genesis on, the Hebrew Bible presents a struggle with language: a struggle to establish meaning, to figure out the right uses of words, to understand one's place in the world. The famous early scene of struggle in the Hebrew Bible, Jacob's wrestling match with the divine, goes as follows in the King James translation:

Jacob was left alone; and there wrestled a man with him until the breaking of the day. And when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of Jacob's thigh was out of joint, as he wrestled with him. And he said, Let me go, for the day breaketh. And he said, I will not let thee go, except thou bless me. And he said unto him, What is thy name?

As Peter Cole says, "The release from that one struggle, and the blessing, only comes with a knowledge of names." Even this physical wrestling match becomes a matter of language, then.

Struggles with outright disaster generate language quests, too. Elisa Gabbert elaborates on disaster poetry in this episode, especially on the subject of W.H. Auden's "Musée des Beaux Arts." She says: "It reminds you how much text there is in a poem. It's wild." And she describes a proliferating kind of irony that radiates possibilities in so many directions, to which poetry might grant access.

Find more from Elisa Gabbert on Auden’s poem here:

https://www.nytimes.com/interactive/2022/03/06/books/auden-musee-des-beaux-arts.html

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

30 episodes

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