An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Interview with Crime Writer David Swinson – S. 9, Ep. 12
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Manage episode 384631001 series 1309312
Content provided by Debbi Mack. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Debbi Mack or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode of the Crime Cafe features my interview with crime writer David Swinson. Learn all about David's latest release, Sweet Thing, and some of his other work. Not to mention that the guy's met Hunter S. Thompson and Timothy Leary. Now, that is interesting. Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe Debbi: But first, let me put in a good word for Blubrry podcasting. I’m a Blubrry affiliate, but that’s not the only reason I’m telling you this. I’ve been using Blubrry Podcasting as my hosting service for my podcast for years and it’s one of the best decisions I ever made. They give great customer service, you’re in complete control of your own podcast, you can run it from your own website, and it just takes a lot of the work out of podcasting for me. I find for that reason that it’s a company that I can get behind 100% and say, “You should try this.” Try Blubrry. It doesn’t require a long-term contract, and it’s just a great company, period. It also has free technical support by email, video, and phone, so you can get a human being there. Isn’t that nice? If you want to podcast, try out Blubrry. No long-term contract, excellent distribution, and great technical support, too, by email, video, and on the phone. I’ve included affiliate links on this blog. Download a copy of the transcript here. Debbi: Hi everyone. My guest today worked with the D.C. Police Department as a detective, so he's done research on the job for his books. He's the author of the Frank Marr Trilogy and two stand-alone crime novels. We can talk about those, but I am tempted to make this an episode about music, gonzo journalism and beat poetry, based on his own backstory. His latest novel is called Sweet Thing, and just saying that makes me want to sing like Lou Reed. It's my pleasure to have with me today, crime writer David Swinson. Hi, David. David: Hi. How are you? Debbi: Good. How are you doing? I understand you're feeling a little under the weather, but I'm glad you're able to be with us today. David: Like I said, it's the Covid booster. Debbi: Ah yes! We have all endured that wonder. Let's talk about the two books you've written since the Marr trilogy. I noticed you set the earlier one City on the Edge in a place outside of D.C., well outside of D.C., but very much influenced by things that happen in D.C. so to speak. But your latest one is going back into the D.C. Police with a homicide detective as your protagonist in Sweet Thing. So what inspired you to kind of shift perspective like that from one kind of story to another and back? David: You mean to Sweet Thing? Debbi: In going from City on the Edge, which is very different from what I've seen back to Sweet Thing. David: City On the Edge is, you know we all I think as writers, always have that one book that we've always wanted to write. That had a lot to do with my history and stuff, although I didn't suffer that kind of loss or witness a murder in Beirut or anything. But I really love that city, Beirut, and I always wanted to use it as a backdrop to a novel. But at that time before I wrote Sweet Thing, I had two more, that book and another book that I owe Mulholland Books and Little, Brown and Co. and so I always knew I'd return to the detective novel. Speaking of Sweet Thing, I was listening a lot to—I always make playlists—I was listening a lot to the WaterBoys cover of Van Morrison's song “Sweet Thing”, and that just really inspired me and I just really wanted to write something about ...
…
continue reading
219 episodes
M4A•Episode home
Manage episode 384631001 series 1309312
Content provided by Debbi Mack. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Debbi Mack or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode of the Crime Cafe features my interview with crime writer David Swinson. Learn all about David's latest release, Sweet Thing, and some of his other work. Not to mention that the guy's met Hunter S. Thompson and Timothy Leary. Now, that is interesting. Before I bring on my guest, I’ll just remind you that the Crime Cafe has two eBooks for sale: the nine book box set and the short story anthology. You can find the buy inks for both on my website, debbimack.com under the Crime Cafe link. You can also get a free copy of either book if you become a Patreon supporter. You’ll get that and much more if you support the podcast on Patreon, along with our eternal gratitude for doing so. We also have a shop now. Check it out! Check us out on Patreon: https://www.patreon.com/crimecafe Debbi: But first, let me put in a good word for Blubrry podcasting. I’m a Blubrry affiliate, but that’s not the only reason I’m telling you this. I’ve been using Blubrry Podcasting as my hosting service for my podcast for years and it’s one of the best decisions I ever made. They give great customer service, you’re in complete control of your own podcast, you can run it from your own website, and it just takes a lot of the work out of podcasting for me. I find for that reason that it’s a company that I can get behind 100% and say, “You should try this.” Try Blubrry. It doesn’t require a long-term contract, and it’s just a great company, period. It also has free technical support by email, video, and phone, so you can get a human being there. Isn’t that nice? If you want to podcast, try out Blubrry. No long-term contract, excellent distribution, and great technical support, too, by email, video, and on the phone. I’ve included affiliate links on this blog. Download a copy of the transcript here. Debbi: Hi everyone. My guest today worked with the D.C. Police Department as a detective, so he's done research on the job for his books. He's the author of the Frank Marr Trilogy and two stand-alone crime novels. We can talk about those, but I am tempted to make this an episode about music, gonzo journalism and beat poetry, based on his own backstory. His latest novel is called Sweet Thing, and just saying that makes me want to sing like Lou Reed. It's my pleasure to have with me today, crime writer David Swinson. Hi, David. David: Hi. How are you? Debbi: Good. How are you doing? I understand you're feeling a little under the weather, but I'm glad you're able to be with us today. David: Like I said, it's the Covid booster. Debbi: Ah yes! We have all endured that wonder. Let's talk about the two books you've written since the Marr trilogy. I noticed you set the earlier one City on the Edge in a place outside of D.C., well outside of D.C., but very much influenced by things that happen in D.C. so to speak. But your latest one is going back into the D.C. Police with a homicide detective as your protagonist in Sweet Thing. So what inspired you to kind of shift perspective like that from one kind of story to another and back? David: You mean to Sweet Thing? Debbi: In going from City on the Edge, which is very different from what I've seen back to Sweet Thing. David: City On the Edge is, you know we all I think as writers, always have that one book that we've always wanted to write. That had a lot to do with my history and stuff, although I didn't suffer that kind of loss or witness a murder in Beirut or anything. But I really love that city, Beirut, and I always wanted to use it as a backdrop to a novel. But at that time before I wrote Sweet Thing, I had two more, that book and another book that I owe Mulholland Books and Little, Brown and Co. and so I always knew I'd return to the detective novel. Speaking of Sweet Thing, I was listening a lot to—I always make playlists—I was listening a lot to the WaterBoys cover of Van Morrison's song “Sweet Thing”, and that just really inspired me and I just really wanted to write something about ...
…
continue reading
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