In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 448 - A Well Balanced Gun Collection
Manage episode 354580017 series 1122644
Content provided by Chris and Jake. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris and Jake or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The topic of this week's episode is misplaced rage. Rage about being forgotten after suffering for your country. Rage about how your patriotic duty resulted in the allowance of people you don't particularly care for or respect gaining freedoms you don't believe they deserve. Rage about how you spent all this time building a cool serrated razor glove with no one to show it off to but a bunch of horny teenagers who don't appreciate your craftsmanship. Rage about how you built all these crazy booby traps that aren't effective in the least. Rage about how you're 34 years old and you already have the face and hairline of a 72 year old pop-pop with 13 grandchildren. Rage about how you can't bear to hear your ol' lady talk about her curtain selection process with some rich broad. This rage is represented in two very different but no less viscerally hard hitting, diamond sharp films. First, in the Mexican produced Slasher, Trampa Infernal aka Hell's Trap (1989). Then, in Joe (1970).
Feedback: cultofmuscle@gmail.com
Facebook: facebook.com/groups/cultofmuscle
Merch: redbubble.com/people/cultofmuscle/shop
460 episodes
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Manage episode 354580017 series 1122644
Content provided by Chris and Jake. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris and Jake or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The topic of this week's episode is misplaced rage. Rage about being forgotten after suffering for your country. Rage about how your patriotic duty resulted in the allowance of people you don't particularly care for or respect gaining freedoms you don't believe they deserve. Rage about how you spent all this time building a cool serrated razor glove with no one to show it off to but a bunch of horny teenagers who don't appreciate your craftsmanship. Rage about how you built all these crazy booby traps that aren't effective in the least. Rage about how you're 34 years old and you already have the face and hairline of a 72 year old pop-pop with 13 grandchildren. Rage about how you can't bear to hear your ol' lady talk about her curtain selection process with some rich broad. This rage is represented in two very different but no less viscerally hard hitting, diamond sharp films. First, in the Mexican produced Slasher, Trampa Infernal aka Hell's Trap (1989). Then, in Joe (1970).
Feedback: cultofmuscle@gmail.com
Facebook: facebook.com/groups/cultofmuscle
Merch: redbubble.com/people/cultofmuscle/shop
460 episodes
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Similar to THE CULT OF MUSCLE
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
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…
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