In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Afterwar Director Birgitte Stærmose Talks About the Nature of Truth in This Interview
Manage episode 428159801 series 2383701
Content provided by Andrew Peirce and The Curb. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Andrew Peirce and The Curb or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ruby O'Sullivan-Belfrage is a writer and critic who works and plays on unceded Wurundjeri land. In the wake of Afterwar’s screening at Sydney Film Festival, Ruby O’Sullivan-Belfrage spoke with director Birgitte Stærmose about the impact she hopes the film has, the nature of truth, and how truly annoying the question of genre can be.
Afterwar screened at the 2024 Sydney Film Festival, with a release to come in the future.
For more interviews and reviews, visit The Curb.com.au. The Curb is proudly an ad free website and relies on community support to stay active. To support The Curb, visit Patreon.com/thecurbau where you can show your support from as little as $1 a month.
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Manage episode 428159801 series 2383701
Content provided by Andrew Peirce and The Curb. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Andrew Peirce and The Curb or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ruby O'Sullivan-Belfrage is a writer and critic who works and plays on unceded Wurundjeri land. In the wake of Afterwar’s screening at Sydney Film Festival, Ruby O’Sullivan-Belfrage spoke with director Birgitte Stærmose about the impact she hopes the film has, the nature of truth, and how truly annoying the question of genre can be.
Afterwar screened at the 2024 Sydney Film Festival, with a release to come in the future.
For more interviews and reviews, visit The Curb.com.au. The Curb is proudly an ad free website and relies on community support to stay active. To support The Curb, visit Patreon.com/thecurbau where you can show your support from as little as $1 a month.
Hosted on Acast. See acast.com/privacy for more information.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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