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Kingdom of the Planet of the Apes with Wes Ball and Barry Jenkins (Ep. 479)

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Content provided by The Director's Cut and Directors Guild of America. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Director's Cut and Directors Guild of America or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Director Wes Ball discusses his new film, Kingdom of the Planet of the Apes, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the importance of mis-en-scene and notes taken from his time helming the Maze Runner series, working in a production that relied heavily on mocap and digital replacement, and the unique process he underwent with his editors in the cutting process. Set 300 years after the events of the previous apes trilogy, the film tells the story of a young ape named Noa, who defies his tyrannical king and teams up with a human to embark on a harrowing journey. On his quest, he’ll uncover mysteries that lead him to question everything he’s been taught and make choices that will define a future for apes and humans alike. See photos and a summary of this event below: https://dga.org/Events/2024/June2024/KingdomOfThePOTA_QnA_0524
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486 episodes

Artwork
iconShare
 
Manage episode 419307539 series 1248294
Content provided by The Director's Cut and Directors Guild of America. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Director's Cut and Directors Guild of America or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Director Wes Ball discusses his new film, Kingdom of the Planet of the Apes, with fellow Director Barry Jenkins in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses the importance of mis-en-scene and notes taken from his time helming the Maze Runner series, working in a production that relied heavily on mocap and digital replacement, and the unique process he underwent with his editors in the cutting process. Set 300 years after the events of the previous apes trilogy, the film tells the story of a young ape named Noa, who defies his tyrannical king and teams up with a human to embark on a harrowing journey. On his quest, he’ll uncover mysteries that lead him to question everything he’s been taught and make choices that will define a future for apes and humans alike. See photos and a summary of this event below: https://dga.org/Events/2024/June2024/KingdomOfThePOTA_QnA_0524
  continue reading

486 episodes

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