Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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Good Soundtrack, Bad Movie
Manage episode 196071106 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“Can a meretricious, inane movie with nothing else to recommend it produce a radiant, rousing film score?” asks Gary Giddins in “Rolling Thunder,” the January/February 2018 edition of Film Comment‘s “Playing Along” column. “Very rarely,” he answers. Although Giddins isolates Franz Waxman’s score for Taras Bulba as a specific example, the guests on this week’s episode of the Film Comment Podcast each provide a couple more, which led to reminiscences about genre sampler OSTs, unlikely pop music cues, and whether or not Steven Spielberg’s idea of humor is just…shouting. For this conversation, FC Digital Producer Violet Lucca is joined by Tom Scharpling, host of The Best Show, and frequent FC contributors Margaret Barton-Fumo and Nick Pinkerton.
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512 episodes
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Manage episode 196071106 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“Can a meretricious, inane movie with nothing else to recommend it produce a radiant, rousing film score?” asks Gary Giddins in “Rolling Thunder,” the January/February 2018 edition of Film Comment‘s “Playing Along” column. “Very rarely,” he answers. Although Giddins isolates Franz Waxman’s score for Taras Bulba as a specific example, the guests on this week’s episode of the Film Comment Podcast each provide a couple more, which led to reminiscences about genre sampler OSTs, unlikely pop music cues, and whether or not Steven Spielberg’s idea of humor is just…shouting. For this conversation, FC Digital Producer Violet Lucca is joined by Tom Scharpling, host of The Best Show, and frequent FC contributors Margaret Barton-Fumo and Nick Pinkerton.
…
continue reading
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Similar to The Film Comment Podcast
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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…
continue reading
Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
…
continue reading
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continue reading
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