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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Sundance 2018: Day Five
Manage episode 196522420 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
As the first weekend of Sundance comes to an end, FC Editor-in-Chief Nicolas Rapold and Eric Hynes, FC contributor and Curator of Film at Museum of the Moving Image, discuss the white privilege and bacchanalia of Sebastián Silva’s disorienting Tyrel, Ethan Hawke’s biopic of heavy-drinking country singer/songwriter Blaze Foley, Gustav Möller’s gimmicky debut thriller The Guilty, and the joyousness and charm of Sandi Tan’s first-person Singapore-set documentary Shirkers. The Film Comment Podcast from Sundance is sponsored by Autograph Collection Hotels.
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Manage episode 196522420 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
As the first weekend of Sundance comes to an end, FC Editor-in-Chief Nicolas Rapold and Eric Hynes, FC contributor and Curator of Film at Museum of the Moving Image, discuss the white privilege and bacchanalia of Sebastián Silva’s disorienting Tyrel, Ethan Hawke’s biopic of heavy-drinking country singer/songwriter Blaze Foley, Gustav Möller’s gimmicky debut thriller The Guilty, and the joyousness and charm of Sandi Tan’s first-person Singapore-set documentary Shirkers. The Film Comment Podcast from Sundance is sponsored by Autograph Collection Hotels.
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Similar to The Film Comment Podcast
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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…
continue reading
Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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continue reading
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