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The Summer of 2001

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Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on the podcast we head back to the summer of 2001. These days, the feeling of waiting for the other shoe to drop has become a way of life, though at the time that summer, we were blithely seeing movies without knowing what was to come. It was the year of Mulholland Drive but also of Rush Hour 2, a year of shifting gears into a new decade, and a formative time for many of us at the magazine. In our free and easy late-summer discussion, we’ve tried to capture what was special about the movies we were seeing at that moment, even though some of us can’t believe the movies we were seeing at that moment. For this trip down memory lane, I was joined by Aliza Ma, head programmer at Metrograph in New York, and Michael Koresky, the editorial and creative director at the Film Society of Lincoln Center.
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511 episodes

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The Summer of 2001

The Film Comment Podcast

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Manage episode 215448438 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on the podcast we head back to the summer of 2001. These days, the feeling of waiting for the other shoe to drop has become a way of life, though at the time that summer, we were blithely seeing movies without knowing what was to come. It was the year of Mulholland Drive but also of Rush Hour 2, a year of shifting gears into a new decade, and a formative time for many of us at the magazine. In our free and easy late-summer discussion, we’ve tried to capture what was special about the movies we were seeing at that moment, even though some of us can’t believe the movies we were seeing at that moment. For this trip down memory lane, I was joined by Aliza Ma, head programmer at Metrograph in New York, and Michael Koresky, the editorial and creative director at the Film Society of Lincoln Center.
  continue reading

511 episodes

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