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Emilie Levienaise-Farrouch Talks "All of Us Strangers"

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Manage episode 401630294 series 2827045
Content provided by Nicholas Marcus. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicholas Marcus or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Composer Emilie Levienaise-Farrouch joins the show! Emilie's latest score is for the film All of Us Strangers, a sort of romance-fantasy-supernatural film that I found absolutely moving. As such, we primarily talk about her score for that film, including talking about striking an emotional balance (one that feels organic but not manipulative), avoiding falling into "period" piece clichés, and more. We then meander into other topics, like the use of Michel Legrand's score from The Go-Between in May December and the freedom that horror gives composers.

You can find out more about Emilie on her website. All of Us Strangers is currently in theaters, and Emilie's score is available on all major platforms with a curated vinyl release forthcoming. You may have seem me talk about how much I love when a score release is curated, so it shouldn't be a surprise to say I'm looking forward to that!

  continue reading

101 episodes

Artwork
iconShare
 
Manage episode 401630294 series 2827045
Content provided by Nicholas Marcus. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicholas Marcus or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Composer Emilie Levienaise-Farrouch joins the show! Emilie's latest score is for the film All of Us Strangers, a sort of romance-fantasy-supernatural film that I found absolutely moving. As such, we primarily talk about her score for that film, including talking about striking an emotional balance (one that feels organic but not manipulative), avoiding falling into "period" piece clichés, and more. We then meander into other topics, like the use of Michel Legrand's score from The Go-Between in May December and the freedom that horror gives composers.

You can find out more about Emilie on her website. All of Us Strangers is currently in theaters, and Emilie's score is available on all major platforms with a curated vinyl release forthcoming. You may have seem me talk about how much I love when a score release is curated, so it shouldn't be a surprise to say I'm looking forward to that!

  continue reading

101 episodes

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