In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Quiet Girl with director Colm Bairéad
Manage episode 328778495 series 3341475
Content provided by The Garden Cinema. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Garden Cinema or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We chat to Colm Bairéad at the Curzon offices about his first fiction feature film, The Quiet Girl, which is based on the short story Foster by Claire Keegan. We discuss the understated and restrained qualities of the film, his reasons for choosing to adapt Keegan's novel, and the "growing confidence" of Irish language filmmaking. We also debate the ending of the film. Spoiler alert! Find us on the usual platforms. Send us your comments, feedback and suggestions via Twitter @thegardencinema or by contacting us at podcast@thegardencinema.co.uk.
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33 episodes
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Manage episode 328778495 series 3341475
Content provided by The Garden Cinema. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Garden Cinema or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We chat to Colm Bairéad at the Curzon offices about his first fiction feature film, The Quiet Girl, which is based on the short story Foster by Claire Keegan. We discuss the understated and restrained qualities of the film, his reasons for choosing to adapt Keegan's novel, and the "growing confidence" of Irish language filmmaking. We also debate the ending of the film. Spoiler alert! Find us on the usual platforms. Send us your comments, feedback and suggestions via Twitter @thegardencinema or by contacting us at podcast@thegardencinema.co.uk.
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Similar to The Garden Cinema Film Talk
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
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