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Arden of Faversham 201

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Manage episode 310081166 series 3047854
Content provided by Aubrey Whitlock and Jess Hamlet. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Aubrey Whitlock and Jess Hamlet or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week we bring in guest Sheila Coursey, Assistant Professor of English at Saint Louis University who works on late medieval and early modern theater and narratives of crime, to talk to us about how she uses Arden of Faversham to engage students in conversations about contemporary true crime narratives. We rabbit hole (just a little) into which early modern married couples ever get to be alone together on stage (hint: it’s NOT the Ardens), investigate what’s with all the white girls and their tears?, and try to delineate what constitutes a “true crime” or “domestic tragedy” story. It’s not as -ahem- clean cut as you might think (see what we did there?)

  continue reading

100 episodes

Artwork
iconShare
 
Manage episode 310081166 series 3047854
Content provided by Aubrey Whitlock and Jess Hamlet. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Aubrey Whitlock and Jess Hamlet or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week we bring in guest Sheila Coursey, Assistant Professor of English at Saint Louis University who works on late medieval and early modern theater and narratives of crime, to talk to us about how she uses Arden of Faversham to engage students in conversations about contemporary true crime narratives. We rabbit hole (just a little) into which early modern married couples ever get to be alone together on stage (hint: it’s NOT the Ardens), investigate what’s with all the white girls and their tears?, and try to delineate what constitutes a “true crime” or “domestic tragedy” story. It’s not as -ahem- clean cut as you might think (see what we did there?)

  continue reading

100 episodes

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