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Content provided by Aubrey Whitlock and Jess Hamlet. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Aubrey Whitlock and Jess Hamlet or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Twelfth Night 302

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Manage episode 346993347 series 3047854
Content provided by Aubrey Whitlock and Jess Hamlet. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Aubrey Whitlock and Jess Hamlet or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week we return to the classic romantic comedy, Twelfth Night, to talk about the recent production at the American Shakespeare Center (directed by the amazing Jenny Bennett) and how it's a great example of how queering your casting and production concept can unlock new takes on a well-known, popular play. We also gossip about Jess's experience at the recent Early Modern Trans Conference, as well as some...um...highly questionable choices made by a certain theatre company for their ill-fated production of Romeo & Juliet. Bottom line, when in doubt: queer it up and say NO to Nazis.

  continue reading

100 episodes

Artwork
iconShare
 
Manage episode 346993347 series 3047854
Content provided by Aubrey Whitlock and Jess Hamlet. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Aubrey Whitlock and Jess Hamlet or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week we return to the classic romantic comedy, Twelfth Night, to talk about the recent production at the American Shakespeare Center (directed by the amazing Jenny Bennett) and how it's a great example of how queering your casting and production concept can unlock new takes on a well-known, popular play. We also gossip about Jess's experience at the recent Early Modern Trans Conference, as well as some...um...highly questionable choices made by a certain theatre company for their ill-fated production of Romeo & Juliet. Bottom line, when in doubt: queer it up and say NO to Nazis.

  continue reading

100 episodes

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