In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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9/11 Aftermath Movies | Ep. 201
Manage episode 302223073 series 1127260
Content provided by The Kick and Chance Solem-Pfeifer. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Kick and Chance Solem-Pfeifer or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Reflecting on Sept. 11, 2001 twenty years later, we watched three films depicting the post-9/11 psyche at its most charged and wounded. "25th Hour" (2002), "Worth" (2021) and "Reign Over Me" (2007) consider 9/11 from grieving standpoints, but they also tell on themselves, revealing how difficult meaningful reflection actually is, whether from swaggering New Yorkers, bereaved Adam Sandlers, or the lawyers overseeing the Victim Compensation Fund.
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Manage episode 302223073 series 1127260
Content provided by The Kick and Chance Solem-Pfeifer. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Kick and Chance Solem-Pfeifer or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Reflecting on Sept. 11, 2001 twenty years later, we watched three films depicting the post-9/11 psyche at its most charged and wounded. "25th Hour" (2002), "Worth" (2021) and "Reign Over Me" (2007) consider 9/11 from grieving standpoints, but they also tell on themselves, revealing how difficult meaningful reflection actually is, whether from swaggering New Yorkers, bereaved Adam Sandlers, or the lawyers overseeing the Victim Compensation Fund.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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