In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 236: CPH:DOX with Mads K. Mikkelsen on Two Strangers Trying Not to Kill Each Other, Kix, more
Manage episode 410752486 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ep. 236: CPH:DOX 2024 with Mads K. Mikkelsen on Two Strangers Trying Not to Kill Each Other, Kix, and much more Welcome to The Last Thing I Saw with your host, Nicolas Rapold. For this episode I journeyed to Copenhagen for the 2024 edition of CPH:DOX, and talked about my favorite documentaries from the selection with the festival’s Head of Program Mads K. Mikkelsen. These include films about a Hungarian skateboarder growing up (Kix, directed by Dávid Mikulán and Bálint Révész), about the relationship between photographer Joel Meyerowitz and writer Maggie Barrett (Two Strangers Trying Not to Kill Each Other, directed by Jacob Perlmutter and Manon Ouimet), and about Brazilian love motels (Eros, directed by Rachel Daisy Ellis). We also discuss The Limits of Europe (directed by Apolena Rychlíková, featuring journalist Saša Uhlová), Balomania (Sissel Morell Dargis), La Base (Vadim Dumesh), Once Upon a Time in a Forest (Virpi Suutari) and the documentary that went on to win the festival’s top prize, The Flats (Alessandra Celesia). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Manage episode 410752486 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ep. 236: CPH:DOX 2024 with Mads K. Mikkelsen on Two Strangers Trying Not to Kill Each Other, Kix, and much more Welcome to The Last Thing I Saw with your host, Nicolas Rapold. For this episode I journeyed to Copenhagen for the 2024 edition of CPH:DOX, and talked about my favorite documentaries from the selection with the festival’s Head of Program Mads K. Mikkelsen. These include films about a Hungarian skateboarder growing up (Kix, directed by Dávid Mikulán and Bálint Révész), about the relationship between photographer Joel Meyerowitz and writer Maggie Barrett (Two Strangers Trying Not to Kill Each Other, directed by Jacob Perlmutter and Manon Ouimet), and about Brazilian love motels (Eros, directed by Rachel Daisy Ellis). We also discuss The Limits of Europe (directed by Apolena Rychlíková, featuring journalist Saša Uhlová), Balomania (Sissel Morell Dargis), La Base (Vadim Dumesh), Once Upon a Time in a Forest (Virpi Suutari) and the documentary that went on to win the festival’s top prize, The Flats (Alessandra Celesia). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Similar to The Last Thing I Saw
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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