In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 254: Cannes 2024: Manohla Dargis on Seed of the Sacred Fig, Anora, The Apprentice, Marcello Mio
Manage episode 421417850 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ep. 254: Cannes 2024 Finale: Manohla Dargis on The Seed of the Sacred Fig, Anora, The Apprentice, Marcello Mio, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It’s become an annual tradition on the last day of Cannes to sit down with Manohla Dargis, the chief film critic for The New York Times, and take stock of the festival, some selected highlights, and other points of interest. For our 2024 chat, in a corner of the Palais starting to buzz with activity before the awards ceremony, we discussed a number of titles including: The Seed of the Sacred Fig (directed by Mohammad Rasoulof), Anora (Sean Baker), The Apprentice (Ali Abbasi), All We Imagine as Light (Payal Kapadia), On Becoming a Guinea Fowl (Rungano Nyoni), Wild Diamond (Agathe Riedinger), Marcello Mio (Christoph Honoré), Megalopolis (Francis Ford Coppola), and more. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Manage episode 421417850 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ep. 254: Cannes 2024 Finale: Manohla Dargis on The Seed of the Sacred Fig, Anora, The Apprentice, Marcello Mio, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It’s become an annual tradition on the last day of Cannes to sit down with Manohla Dargis, the chief film critic for The New York Times, and take stock of the festival, some selected highlights, and other points of interest. For our 2024 chat, in a corner of the Palais starting to buzz with activity before the awards ceremony, we discussed a number of titles including: The Seed of the Sacred Fig (directed by Mohammad Rasoulof), Anora (Sean Baker), The Apprentice (Ali Abbasi), All We Imagine as Light (Payal Kapadia), On Becoming a Guinea Fowl (Rungano Nyoni), Wild Diamond (Agathe Riedinger), Marcello Mio (Christoph Honoré), Megalopolis (Francis Ford Coppola), and more. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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