In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 75: 10 Skies and le cinema du sky with Erika Balsom
Manage episode 302267993 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. Sometime in May or June, I had a marvelous conversation about the sky. Not just one sky, but 10 skies, in fact, with the critic Erika Balsom. Balsom wrote an insightful book about the lovely, thought-provoking landscape film 10 Skies, from filmmaker James Benning. I think I originally saw the movie at a festival in the late 2000s, and it was a pleasure to revisit. Happily I have a new occasion to make this conversation available, thanks to a screening of 10 Skies at the Open City Documentary Festival in London. But no matter the occasion, 10 Skies is a work that always rewards looking at from a number of angles, opening up questions about art and philosophy that keep shifting and turning in your head like the clouds above. Balsom’s book is available from Fireflies Press. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
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Manage episode 302267993 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. Sometime in May or June, I had a marvelous conversation about the sky. Not just one sky, but 10 skies, in fact, with the critic Erika Balsom. Balsom wrote an insightful book about the lovely, thought-provoking landscape film 10 Skies, from filmmaker James Benning. I think I originally saw the movie at a festival in the late 2000s, and it was a pleasure to revisit. Happily I have a new occasion to make this conversation available, thanks to a screening of 10 Skies at the Open City Documentary Festival in London. But no matter the occasion, 10 Skies is a work that always rewards looking at from a number of angles, opening up questions about art and philosophy that keep shifting and turning in your head like the clouds above. Balsom’s book is available from Fireflies Press. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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