In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Murder Mubarak
Manage episode 407911638 series 3255221
Content provided by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Murder Mubarak lowers the bar even further for Netflix India, and feels like a particularly annoying missed opportunity.
We talk about the inept filmmaking, the strange structure, and the over-the-top performances of its ensemble cast.
We also wonder how the finished film can look like something that was snatched away from director Homi Adajania and handed over to editors who’ve never met him.
And for the second time in two weeks, we find ourselves noting missing scenes from a big-budget movie featuring major Bollywood names.
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Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support197 episodes
Share
Manage episode 407911638 series 3255221
Content provided by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Akhil Arora and Rohan Naahar, Akhil Arora, and Rohan Naahar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Murder Mubarak lowers the bar even further for Netflix India, and feels like a particularly annoying missed opportunity.
We talk about the inept filmmaking, the strange structure, and the over-the-top performances of its ensemble cast.
We also wonder how the finished film can look like something that was snatched away from director Homi Adajania and handed over to editors who’ve never met him.
And for the second time in two weeks, we find ourselves noting missing scenes from a big-budget movie featuring major Bollywood names.
—
Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.
The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, Google Podcasts, and wherever you get your podcasts.
Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.
--- Support this podcast: https://podcasters.spotify.com/pod/show/the-long-take/support197 episodes
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Similar to The Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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