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On ‘Hannah Coulter’: Conforming our memories to Christ

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Manage episode 410667838 series 3325486
Content provided by KFUO Radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by KFUO Radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Hannah is the eponymous narrator of Wendell Berry’s novel Hannah Coulter, which is set in the small fictional town of Port William in rural Kentucky. The storyline is simple: Hannah, now an old woman, gives an account of her life. Though her narrative focuses on her day-to-day life, eternity is her most constant theme. For Hannah, the daily and the eternal are in no tension with each other, so long as she is thankful and looks on everything in love.

Read the article.

Cover image: “View of Benjamin Reber’s Farm,” by Charles C. Hofmann, 1872. Courtesy National Gallery of Art.

For more information on The Lutheran Witness or to subscribe to the magazine, please visit witness.lcms.org. Sound effect obtained from zapsplat.com.

  continue reading

140 episodes

Artwork
iconShare
 
Manage episode 410667838 series 3325486
Content provided by KFUO Radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by KFUO Radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Hannah is the eponymous narrator of Wendell Berry’s novel Hannah Coulter, which is set in the small fictional town of Port William in rural Kentucky. The storyline is simple: Hannah, now an old woman, gives an account of her life. Though her narrative focuses on her day-to-day life, eternity is her most constant theme. For Hannah, the daily and the eternal are in no tension with each other, so long as she is thankful and looks on everything in love.

Read the article.

Cover image: “View of Benjamin Reber’s Farm,” by Charles C. Hofmann, 1872. Courtesy National Gallery of Art.

For more information on The Lutheran Witness or to subscribe to the magazine, please visit witness.lcms.org. Sound effect obtained from zapsplat.com.

  continue reading

140 episodes

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