In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S4 Ep 2: Folk Horror - The Wicker Man
Manage episode 405049035 series 2835593
Content provided by The Monstrous Feminine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Monstrous Feminine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This month, we’re exploring the ‘happenings’ of folk horror, and we’re kicking off this theme with the 1973 horror musical ‘The Wicker Man’, directed by Robin Hardy. 🌾🐰💐🌈🃏 In this episode, we give an overview of the global folk horror canon and discuss its tropes. We then focus on British folk horror films, and ask ourselves in what ways do its classist, religious and colonialist undertones work as a nation-making form of media. We debate the central question: who is the butt of the joke in folk horror – is it the insular pagan community or the ignorant and judgemental outsider? Finally, we give an honourable mention to the bizarre 2006 remake with Nicolas Cage (“NOT THE BEEZ!” 🐝). You can find us on most platforms @themonstrousfemininepodcast, and on Twitter, @themonfempod. Subscribe to our YouTube Channel, and rate and review us on Apple Podcasts and Spotify. Engage with our content across all platforms to be our next ‘Witch of the Week’, and pledge to us on Patreon! ✨ The Coven: Mila, Louisa, Tyia and Zeba Theme and ‘Witch of the Week’ Music by: Sebastian Pizzaro *CONTENT WARNING* Violence, murder, death, discussions of colonial violence and human sacrifice
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Manage episode 405049035 series 2835593
Content provided by The Monstrous Feminine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Monstrous Feminine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This month, we’re exploring the ‘happenings’ of folk horror, and we’re kicking off this theme with the 1973 horror musical ‘The Wicker Man’, directed by Robin Hardy. 🌾🐰💐🌈🃏 In this episode, we give an overview of the global folk horror canon and discuss its tropes. We then focus on British folk horror films, and ask ourselves in what ways do its classist, religious and colonialist undertones work as a nation-making form of media. We debate the central question: who is the butt of the joke in folk horror – is it the insular pagan community or the ignorant and judgemental outsider? Finally, we give an honourable mention to the bizarre 2006 remake with Nicolas Cage (“NOT THE BEEZ!” 🐝). You can find us on most platforms @themonstrousfemininepodcast, and on Twitter, @themonfempod. Subscribe to our YouTube Channel, and rate and review us on Apple Podcasts and Spotify. Engage with our content across all platforms to be our next ‘Witch of the Week’, and pledge to us on Patreon! ✨ The Coven: Mila, Louisa, Tyia and Zeba Theme and ‘Witch of the Week’ Music by: Sebastian Pizzaro *CONTENT WARNING* Violence, murder, death, discussions of colonial violence and human sacrifice
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Similar to The Monstrous Feminine
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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